$\"Belvedere$
Yukar\u0131 Belvedere Saray\u0131, Viyana. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, Temmuz 2020<\/p><\/div>\n
Belvedere Saray\u0131, Habsburglar<\/strong>\u00a0ad\u0131na sava\u015f meydanlar\u0131nda T\u00fcrklere kar\u015f\u0131 kazand\u0131\u011f\u0131 zaferler nedeniyle b\u00fcy\u00fck bir \u00fcne kavu\u015fan ve bu ba\u015far\u0131lar\u0131n\u0131n sonucunda bir Avusturyal\u0131 olmad\u0131\u011f\u0131 halde Avusturya tarihi<\/a><\/span><\/span><\/strong>nde kendine\u00a0\u00f6nemli bir yer edinen ve b\u00fcy\u00fck bir servet sahibi olan feldmare\u015fal\u00a0Prens Eugen<\/strong> taraf\u0131ndan 18. yy.’da yazl\u0131k saray olarak, II. Viyana Ku\u015fatmas\u0131<\/strong><\/a><\/span><\/span>\u00a0konulu tarih kitaplar\u0131nda ad\u0131 bir\u00e7ok defa zikredilen bir da\u011f olan\u00a0Kahlenberg<\/strong>\u00a0manzaral\u0131 bir tepe \u00fczerine Barok<\/strong> mimari stilinde yapt\u0131r\u0131lan ve gerek mimarisi gerekse de burada bulunan eserler vas\u0131tas\u0131yla verilmek istenen gizli mesajlarla dolu bir sarayd\u0131r.<\/p>\n
Birazdan okuyaca\u011f\u0131n\u0131z ve titiz ara\u015ft\u0131rmalar sonucu elde edilen bilgilerden olu\u015fan bu yaz\u0131, yay\u0131mland\u0131\u011f\u0131 tarih itibar\u0131yla “\u0130nternetin En Kapsaml\u0131 T\u00dcRK\u00c7E Belvedere Saray\u0131 Rehberi”<\/strong><\/span>\u00a0olma \u00f6zelli\u011fine sahiptir! <\/div>\n
<\/p>\n
\u00a0Belvedere Saray\u0131 Viyana\u00a0<\/span><\/h1>\n\n
Belvedere\u00a0Saray\u0131\u00a0tarihi<\/h2>\n
\u00d6nemli not:<\/strong><\/span> Bu yaz\u0131y\u0131 okuyarak ki\u015fisel blogumun\u00a0k<\/span>ullan\u0131m \u015fartlar\u0131<\/span><\/span><\/strong><\/a>n\u0131 kabul etmi\u015f bulunmaktas\u0131n\u0131z.<\/p><\/div>\n
$\"Belvedere$
Yukar\u0131 Belvedere Saray\u0131’n\u0131n giri\u015f kat\u0131nda, saray tarihine ait bilgi ve g\u00f6rsellerin bulundu\u011fu salon. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, A\u011fustos 2020<\/p><\/div>\n
\u00a0<\/div>\n
Prens Eugen d\u00f6nemi<\/h3>\n
Barok saraylar\u0131n en g\u00fczel \u00f6rneklerinden birini te\u015fkil eden Belvedere Saray\u0131<\/strong>, Viyana’ya b\u00fcy\u00fck in\u015faat projelerinin kazand\u0131r\u0131ld\u0131\u011f\u0131 bir d\u00f6nemde, bir yazl\u0131k saray olarak\u00a0Barok mimari stilinde<\/strong> yapt\u0131r\u0131l\u0131r. \u0130mparatorlu\u011fun ba\u015fkenti Viyana’n\u0131n g\u00fcn\u00fcm\u00fcze kadar ula\u015fmay\u0131 ba\u015faran bir\u00e7ok prestijli projesinin yap\u0131labilmesine imk\u00e2n sa\u011flayan olay ise, Osmanl\u0131 \u0130mparatorlu\u011fu’na kar\u015f\u0131 yap\u0131lan sava\u015flar\u0131n ba\u015far\u0131l\u0131 bir \u015fekilde nihayete erdilmesinin maddi m\u00fck\u00e2fat\u0131ndan ba\u015fka bir \u015fey de\u011fildir\u00a0[1]<\/a><\/sup>.<\/p>\n
Barok, Avrupa’da XVI. yy’da ortaya \u00e7\u0131kan bir sanat \u00fcslubu olmakla beraber, kelime k\u00f6kenleri Portekizce’de “e\u011fri b\u00fc\u011fr\u00fc, bozuk \u015fekilli inci tanesi” anlam\u0131na gelen “barroco” ismine dayanmaktad\u0131r. Barok sanat, Roma Katolisizminin imaj\u0131n\u0131 g\u00fc\u00e7lendirmek i\u00e7in se\u00e7ilen maksatl\u0131 bir ara\u00e7 olarak geli\u015fmi\u015ftir. 17. yy. ilerledik\u00e7e, Barok sanat\u0131n bilinirli\u011fi Katolik kilisesinin \u00f6tesine ge\u00e7mi\u015f, \u00f6nce kraliyet ailesi ve sonras\u0131nda da aristokrasiye ula\u015fm\u0131\u015ft\u0131r. G\u00fc\u00e7l\u00fc tablolar, heykeller ve mimari, toplumsal imajlar\u0131n\u0131 korumalar\u0131nda onlara yard\u0131mc\u0131 olmu\u015ftur.\u00a0 [22]<\/a><\/sup>.<\/div>\n
Barok devri mimarinin tipik bir \u00f6zelli\u011fi oldu\u011fu \u00fczere bu d\u00f6nemde ortaya konulan eserlerin \u015fa\u015fal\u0131 g\u00f6r\u00fcn\u00fc\u015f\u00fc Belvedere Saray\u0131<\/strong>‘nda da g\u00f6ze \u00e7arpmakta olup, Prens Eugen’in kudretli bir \u015fahsiyet oldu\u011funu g\u00f6zler \u00f6n\u00fcne sermek amac\u0131yla g\u00f6rkemli bir bi\u00e7imde tasarlanm\u0131\u015f ve hayata ge\u00e7irilmi\u015ftir.<\/p>\n
$\"Belvedere$
11 Eyl\u00fcl 1697 Zenta Sava\u015f\u0131 konulu tablo. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, Yukar\u0131 Belvedere Saray\u0131, A\u011fustos 2020<\/p><\/div>\n
II. Mustafa,\u00a0ba\u015far\u0131s\u0131z ge\u00e7en\u00a01683 II. Viyana Ku\u015fatmas\u0131<\/a><\/span><\/span><\/strong>‘n\u0131n ard\u0131ndan kaybedilen topraklar\u0131 geri almak i\u00e7in sefere \u00e7\u0131kma karar al\u0131r. 1695 ve 1696 seferleri ba\u015far\u0131l\u0131 olunca \u00fc\u00e7\u00fcnc\u00fc bir sefer daha d\u00fczenlenir. Bu \u00fc\u00e7\u00fcnc\u00fc sefer b\u00fcnyesinde g\u00fcn\u00fcm\u00fcz S\u0131rbistan s\u0131n\u0131rlar\u0131 i\u00e7erisinde yer alan Zenta kasabas\u0131 yak\u0131nlar\u0131nda, Tisa nehri ge\u00e7idinde, 11 Eyl\u00fcl 1697’de vuku bulan ve tarihe Zenta bozgunu olarak ge\u00e7en, Avrupa tarihinde Osmanl\u0131lar’\u0131n Macaristan’dan tamamen \u00e7\u0131kar\u0131lmas\u0131n\u0131n son halkas\u0131n\u0131 te\u015fkil eden bir d\u00f6n\u00fcm noktas\u0131 olarak kabul edilen sava\u015fta, Habsburg m\u00fcttefik g\u00fc\u00e7lerinin ba\u015f\u0131nda bulunan ki\u015fi Prens Eugen’den ba\u015fkas\u0131 de\u011fildir [12]<\/a><\/sup>.<\/p>\n
$\"Belvedere$
Prens Eugen tablosu. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, Yukar\u0131 Belvedere Saray\u0131, Eyl\u00fcl 2018.<\/p><\/div>\n
S\u00f6z konusu Prens Eugen, Osmanl\u0131’ya kar\u015f\u0131 yap\u0131lan sava\u015flardaki ba\u015far\u0131lar\u0131n\u0131n maddi kar\u015f\u0131l\u0131\u011f\u0131 olarak d\u00f6nemin en b\u00fcy\u00fck ki\u015fisel servetine sahip \u015fah\u0131s olacak, ayn\u0131 zamanda Belvedere Saray\u0131<\/strong>‘n\u0131 yapt\u0131ran ki\u015fi olarak da ad\u0131 tarih kitaplar\u0131ndaki yerini alacakt\u0131r\u00a0[1]<\/a><\/sup>.<\/p>\n
$\"Belvedere$
Prens Eugen’in \u015fehrin 19. y\u00fczy\u0131lda y\u0131k\u0131lan eski surlar\u0131 i\u00e7erisinde kalan birinci (1.) b\u00f6lgesine yapt\u0131rd\u0131\u011f\u0131 k\u0131\u015fl\u0131k saray\u0131n\u0131n giri\u015fi. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f,\u00a0Eyl\u00fcl 2017.<\/p><\/div>\n
Prens Eugen, 1697 y\u0131l\u0131nda, g\u00fcn\u00fcm\u00fcz Viyana’s\u0131n\u0131n I. b\u00f6lgesi s\u0131n\u0131rlar\u0131 i\u00e7erisinde bulunan ve yine bizzat kendisine ait olan \u015eehir Saray\u0131’n\u0131n (Almanca: Stadt Palais) yap\u0131m\u0131na ba\u015flanmas\u0131ndan bir sene sonra, bug\u00fcn \u00fczerinde Belvedere Saray\u0131 bulunan hafif eyimli bir yama\u00e7tan ibaret olan arsay\u0131 sat\u0131n al\u0131r ve ilk i\u015f olarak peyzaj planlamas\u0131na ba\u015flan\u0131r. Saray\u0131n mimari tasar\u0131m\u0131 i\u00e7in ise Ba\u015f Mimar olarak, Piemont’a d\u00fczenlendi\u011fi askeri seferde tan\u0131\u015ft\u0131\u011f\u0131, Johann Lucas von Hildebrandt’\u0131 se\u00e7er\u00a0 [1]<\/a><\/sup>.\u00a0<\/p>\n
$\"Belvedere$
Yukar\u0131 Belvedere Saray\u0131 maketi. Kuzey cephesi. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, A\u011fustos 2020<\/p><\/div>\n
1712 y\u0131l\u0131nda A\u015fa\u011f\u0131 Belvedere Saray\u0131<\/a><\/span><\/strong>‘n\u0131n yap\u0131m\u0131na ba\u015flan\u0131r ve iki y\u0131l sonra yap\u0131 i\u015fleri tamamlan\u0131r.\u00a0D\u00f6nemin \u015fehir manzaralar\u0131ndan birinde buras\u0131 i\u00e7in E\u011flence Saray\u0131 (Almanca: Lustschloss) tabiri kullan\u0131lm\u0131\u015ft\u0131r\u00a0 [1]<\/a><\/sup>.<\/p>\n
$\"Belvedere$
Belvedere Saray\u0131 krokisi. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, A\u011fustos 2020<\/p><\/div>\n
Frans\u0131z peyzaj mimar\u0131 Dominique Girard, Ocak – May\u0131s 1717 d\u00f6neminde saray\u0131n peyzaj planlamas\u0131n\u0131 elden ge\u00e7irir ve bir sonraki yaz d\u00f6neminde\u00a0Belvedere Saray\u0131 bah\u00e7esi<\/a><\/span><\/span><\/strong> tamamlan\u0131r\u00a0 [1]<\/a><\/sup>.<\/p>\n
$\"Belvedere$
Belvedere Saray\u0131 alt ve orta teras aras\u0131ndaki havuzun bilgilendirme levhas\u0131nda Vezir \u0130brahim Pa\u015fa’n\u0131n Belvedere ziyareti hakk\u0131nda bilgi verilmekte. Salomon Kleiner. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, A\u011fustos 2020<\/p><\/div>\n
1717 y\u0131l\u0131nda ise Yukar\u0131 Belvedere<\/strong>‘in yap\u0131m\u0131na ba\u015flan\u0131r. 2 Ekim 1719 y\u0131l\u0131nda yap\u0131 i\u015flemleri b\u00fcy\u00fck bir oranda bitirilmi\u015f ve \u00f6yle ki, Osmanl\u0131 El\u00e7isi Vezir \u0130brahim Pa\u015fa<\/strong> burada kar\u015f\u0131lanm\u0131\u015ft\u0131r\u00a0[1]<\/a><\/sup>. Belvedere Saray\u0131 bah\u00e7esi<\/a><\/span><\/span><\/strong>nin alt ve orta teraslar\u0131 aras\u0131nda bulunan havuz hakk\u0131nda bilgiler verilen ve hemen yukar\u0131da foto\u011fraf\u0131n\u0131 g\u00f6rd\u00fc\u011f\u00fcn\u00fcz levhada, Vezir \u0130brahim Pa\u015fa’n\u0131n 02.10.1719 tarihinde burada bulundu\u011funa de\u011finilmi\u015ftir.<\/p>\n
1723 y\u0131l\u0131 itibar\u0131yla Yukar\u0131 Belvedere Saray\u0131<\/a><\/span><\/span><\/strong> tamamlan\u0131r\u00a0 [1]<\/a><\/sup>.<\/p>\n
<\/p>\n
Prens Eugen sonras\u0131<\/h3>\n
Hi\u00e7 evlenmeyen ve hi\u00e7bir miras\u00e7\u0131s\u0131 olmayan Prens Eugen 21 Nisan 1736 tarihinde vefat eder. Arkas\u0131nda hukuki ge\u00e7erlili\u011fi olan bir vasiyetname b\u0131rakmaz. \u0130mparator VI. Karl’\u0131n kurdu\u011fu bir komisyon Prens Eugen’in a\u011fabeyi Thomas’\u0131n k\u0131z\u0131, Savoy ve Soissons hanedan\u0131n\u0131n hayatta kalan son \u00fcyesi olan ye\u011feni Prenses Viktoria’y\u0131 varis olarak se\u00e7er. Prenses Viktoria, mirasla ilgilenmedi\u011fini ilk ba\u015ftan bu yana belli eder ve bir s\u00fcre sonra elden \u00e7\u0131karmaya karar verir\u00a0 [1]<\/a>, [3]<\/a><\/sup>.<\/p>\n
$\"Belvedere$
Maria Theresia tablosu. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, Albertina M\u00fczesi, A\u011fustos 2020<\/p><\/div>\n
Bug\u00fcn sahip oldu\u011fu ve \u0130talyanca’da “g\u00fczel manzara<\/strong>“ya tekab\u00fcl eden “Belvedere<\/strong>” ismine ise ilk defa,\u00a0\u0130mparatori\u00e7e Maria Theresia\u00a0ve e\u015fi -Lorraine soyundan- \u0130mparator I. Franz (Stephan) taraf\u0131ndan sat\u0131n al\u0131nan saray\u0131n, 1752 tarihli sat\u0131n alma s\u00f6zle\u015fmesinde rastlanmaktad\u0131r\u00a0[1],<\/a><\/sup>\u00a0 [2]<\/a><\/sup>.<\/p>\n
Saray\u0131n iki farkl\u0131 mimari elemanlar\u0131n\u0131n “A\u015fa\u011f\u0131 Belvedere” ve “Yukar\u0131 Belvedere” isimleriyle an\u0131lmalar\u0131n\u0131n mazisi ise 1776 y\u0131l\u0131nda imparatorluk sanat koleksiyonlar\u0131na ev sahipli\u011fi yapmaya ba\u015flamalar\u0131na tekab\u00fcl etmektedir\u00a0 [1], [4]<\/a><\/sup>.<\/p>\n
$\"Belvedere$
Maria Theresia’n\u0131n e\u015fi \u0130mparator I. Franz Stephan. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, Avusturya Mason M\u00fczesi, Rosenau \u015eatosu, May\u0131s 2019<\/p><\/div>\n
Maria Theresia ve e\u015fi I. Franz (Stephan) hi\u00e7bir zaman buraya ta\u015f\u0131nmazlar ve Belvedere, di\u011fer imparatorluk saraylar\u0131n\u0131n g\u00f6lgesinde kal\u0131r.\u00a0Ta ki, \u00e7iftin on alt\u0131 \u00e7ocu\u011fundan on be\u015fincisi olarak d\u00fcnyaya gelen ve bu tarihte hen\u00fcz 14 ya\u015f\u0131nda bulunan Maria Antonia’n\u0131n, Fransa Veliaht\u0131 XVI. Louis (Almanca: Dauphin – Frans\u0131z veliaht) ile evliliklerinin \u015ferefine 17 Nisan 1770’de d\u00fczenlenen ve 16.000 davetlinin kat\u0131ld\u0131\u011f\u0131 maskeli balonun ger\u00e7ekle\u015fti\u011fi g\u00fcne kadar\u00a0 [1], [4]<\/a><\/sup>.<\/p>\n
A\u015fa\u011f\u0131 Belvedere Saray\u0131<\/a><\/span><\/strong> 18. yy.’da -ilk etapta- Napolyon’dan ka\u00e7an Habsburg Hanedan\u0131 \u00fcyelerinin konaklamalar\u0131 amac\u0131yla kullan\u0131l\u0131r\u00a0 [1]<\/a><\/sup>.<\/p>\n
<\/p>\n
Bir m\u00fcze olarak Belvedere Saray\u0131<\/strong><\/h4>\n1781 senesinde \u0130mparatorluk Resim Galerisi’nin a\u00e7\u0131lmas\u0131yla Yukar\u0131 Belvedere Saray\u0131<\/span><\/span><\/strong><\/a>\u00a0d\u00fcnyan\u0131n halka a\u00e7\u0131k ilk m\u00fczelerinden biri olur\u00a0[1]<\/a><\/sup>.<\/p>\n
1805 y\u0131l\u0131nda (g\u00fcn\u00fcm\u00fcz Avusturya<\/a><\/span><\/span><\/strong>‘s\u0131n\u0131n bir eyaleti olan) Tirol’\u00fcn 1805 Pressburg Bar\u0131\u015f\u0131 (ya da Pressburg Bar\u0131\u015f Antla\u015fmas\u0131) neticesinde Bavyera’n\u0131n eline ge\u00e7mesi sonucunda, Innsbruck yak\u0131nlar\u0131nda bulunan Ambras Saray\u0131’ndaki sanat koleksiyonlar\u0131 i\u00e7in uygun bir yer aranmas\u0131 ihtiyac\u0131 do\u011far.\u00a0\u0130mparator I. Franz’\u0131n 1811 y\u0131l\u0131na ait karar\u0131yla koleksiyonlar\u0131n, burada sergilenmek \u00fczere A\u015fa\u011f\u0131 Belvedere Saray\u0131<\/a><\/span><\/span><\/strong>‘na nakil i\u015flemi ger\u00e7ekle\u015ftirilir\u00a0 [1]<\/a><\/sup>.<\/p>\n
$\"Belvedere$
Viyana Sanat Tarihi M\u00fczesi. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, A\u011fustos 2017.<\/p><\/div>\n
1888 ve 1889 y\u0131llar\u0131,\u00a0Belvedere Saray\u0131<\/strong>‘nda bulunan eserlerin, \u0130mparator I. Franz Josef’in sanat koleksiyonlar\u0131n\u0131 tek bir \u00e7at\u0131 alt\u0131nda toplamak amac\u0131yla Ring Bulvar\u0131 \u00fczerinde yapt\u0131rd\u0131\u011f\u0131\u00a0Viyana Sanat Tarihi M\u00fczesi<\/a><\/span><\/span><\/strong> ‘nde kendilerine yer bulacaklar\u0131 d\u00f6nem olarak tarihe ge\u00e7er.\u00a0Bu andan itibaren Belvedere Saray(lar)\u0131 halk\u0131n ziyaretine kapat\u0131l\u0131r\u00a0 [1]<\/a><\/sup>.<\/p>\n
$\"Belvedere$
Ar\u015fid\u00fck Franz Ferdinand ve ailesi Yukar\u0131 Belvedere Saray\u0131’nda. \u00a9 Schloss Belvedere,\u00a0Foto\u011fraf:\u00a0\u00a9 Muratcan G\u00fcm\u00fc\u015f, A\u011fustos 2020<\/p><\/div>\n
1896 y\u0131l\u0131na gelindi\u011finde \u0130mparator I. Franz Josef, Yukar\u0131 Belvedere Saray\u0131<\/span><\/span><\/strong><\/a>‘n\u0131n ye\u011feni Ar\u015fid\u00fck Franz Ferdinand’\u0131n ikametg\u00e2h\u0131 olarak kullan\u0131lmas\u0131 karar\u0131n\u0131 al\u0131r ve tadilat i\u015flemleri ger\u00e7ekle\u015ftirilir.<\/p>\n
$\"Belvedere$
Franz Ferdinand ve e\u015fine d\u00fczenlenen suikast\u0131 konu alan b\u00f6l\u00fcm. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, Viyana Askeri Tarih M\u00fczesi, Eyl\u00fcl 2017.<\/p><\/div>\n
Ar\u015fid\u00fck Franz Ferdinand\u00a0ve e\u015fi\u00a028 Haziran 1914 tarihinde Saraybosna\u2019da u\u011frad\u0131klar\u0131 silahl\u0131 suikast sonucu hayatlar\u0131n\u0131 kaybederler. Bu olay bir taraftan\u00a0I. D\u00fcnya Sava\u015f\u0131\u2018na kap\u0131 aralarken, di\u011fer taraftan da sava\u015f\u0131n sonu\u00e7lar\u0131 itibar\u0131yla\u00a0Habsburg Monar\u015fisi\u2018nin\u00a0sonunu getirir.\u00a0Franz Ferdinand’\u0131n hayat\u0131n\u0131 kaybetmesinden sonra Yukar\u0131 Belvedere Saray\u0131<\/span><\/span><\/strong><\/a> art\u0131k bir ya\u015fam alan\u0131 olarak kullan\u0131lmaz ve tekrar m\u00fczeye \u00e7evrilerek 19. yy.’a ait eserler burada kendilerine yer bulurlar.<\/p>\n
Ar\u015fid\u00fck Franz Ferdinand\u00a0ve e\u015fine d\u00fczenlenen sald\u0131r\u0131 hakk\u0131nda daha detayl\u0131 bilgilere ve suikast\u0131n ger\u00e7ekle\u015fti\u011fi Saraybosna’dan foto\u011fraflara\u00a0Viyana Askeri Tarih M\u00fczesi<\/a><\/span><\/span><\/strong> ba\u015fl\u0131kl\u0131 yaz\u0131mdan ula\u015fabilirsiniz. <\/div>\n
$\"Belvedere$
II. D\u00fcnya Sava\u015f\u0131 esnas\u0131nda ger\u00e7ekle\u015fen hava sald\u0131r\u0131lar\u0131nda hasar g\u00f6ren Yukar\u0131 Belvedere Saray\u0131. \u00a9 An\u0131tlar Dairesi Foto\u011fraf Ar\u015fivi (Fotoarchiv des Bundesdenkmalamtes),\u00a0Foto\u011fraf:\u00a0\u00a9 Muratcan G\u00fcm\u00fc\u015f, A\u011fustos 2020<\/p><\/div>\n
\u0130kinci Cihan Harbi’nde a\u011f\u0131r hasar g\u00f6ren Belvedere Saray\u0131,<\/strong>\u00a0ger\u00e7ekle\u015ftirilen tadilat i\u015flemleri neticesinde\u00a01953 y\u0131l\u0131ndan itibaren tekrar m\u00fcze olarak hizmet vermeye devam eder.<\/p>\n
Saray\u0131n tarihine \u0131\u015f\u0131k tutan bir\u00e7ok detayl\u0131 bilginin g\u00fcn\u00fcm\u00fcze ula\u015fmas\u0131n\u0131n sebebi ise\u00a0M\u00fchendis Salomon Kleiner’in 1731-1740 y\u0131llar\u0131n\u0131 kapsayan, on par\u00e7a ve toplamda 90 resimden olu\u015fan g\u00f6rsel belgelendirme i\u015flemidir [1]<\/a><\/sup>.<\/p>\n
\n
Bu da ilginizi \u00e7ekebilir<\/span>
\n<\/strong><\/p>\n
<\/a><\/p>\n
Zafer Tak\u0131, devasa\u00a0bah\u00e7esi ve yakla\u015fan etkinleriyle Viyana saraylar\u0131<\/strong>ndan bir di\u011feri:<\/p>\n
\u201eSch\u00f6nbrunn Saray\u0131<\/a><\/span><\/span>\u201c<\/strong><\/p>\n
\n
<\/p>\n
Belvedere\u00a0Saray\u0131 b\u00f6l\u00fcmleri (Mimari elemanlar\u0131)<\/span><\/h1>\n
Belvedere Saray\u0131 genel olarak;<\/p>\n
\n
A\u015fa\u011f\u0131 Belvedere Saray\u0131<\/a><\/span><\/strong><\/span>\u00a0(Almanca: Unteres Belvedere)<\/li>\n<\/ul>\n
\n
Yukar\u0131 Belvedere Saray\u0131<\/span><\/span><\/strong><\/a>\u00a0(Almanca: Oberes Belvedere)<\/li>\n<\/ul>\nolarak iki ana k\u0131s\u0131mdan olu\u015fmakta olup, bu saraylar ise Barok \u00fcsl\u00fbbunda olu\u015fturulan\u00a0saray bah\u00e7esi<\/a><\/strong><\/span> ile birbirlerine ba\u011flan\u0131rlar.<\/p>\n
$\"Belvedere$
A\u015fa\u011f\u0131 Belvedere Saray\u0131 duvar\u0131nda bulunan Belvedere Saray\u0131 krokisi. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, A\u011fustos 2020<\/p><\/div>\n
Her iki saray da g\u00fcn\u00fcm\u00fcz itibar\u0131yla sanat koleksiyonlar\u0131na ev sahipli\u011fi yapmakta olup, Belvedere 21, Gustinus-Ambrosi-M\u00fczesi ile beraber “\u00d6sterreichische Galerie Belvedere” adl\u0131 kurumun \u00e7at\u0131s\u0131 alt\u0131nda hizmet vermektedirler. Yine bizzat Prens Eugen’in yapt\u0131rm\u0131\u015f oldu\u011fu \u015eehir Saray\u0131 2013 G\u00fcz\u00fc’nde Avusturya Maliye Bakanl\u0131\u011f\u0131 (\u00d6sterreichisches Finanzministerium) taraf\u0131ndan ge\u00e7ici olarak bu kuruma verilmi\u015f ve Ekim 2017 itibar\u0131yla tekrar geri al\u0131nm\u0131\u015ft\u0131r.<\/p>\n
<\/p>\n
Belvedere\u00a0Saray\u0131 bah\u00e7esi<\/h2>\n
Saraylar\u0131n i\u00e7erisine girmeden \u00f6nce ilk olarak saray bah\u00e7esinden, burada bulunan heykeller ve de\u00a0alegorik zaman basamaklar\u0131<\/a><\/span><\/strong><\/span>\u00a0vas\u0131tas\u0131yla verilmek istenen mesajlardan i\u015fe ba\u015flayal\u0131m.<\/p>\n
$\"Belvedere$
Yukar\u0131 Belvedere Saray\u0131’n\u0131n g\u00fcneyinde bulunan ana giri\u015f kap\u0131s\u0131 ve \u00fczerinde Savoy Prensi Eugen’in armas\u0131n\u0131 ta\u015f\u0131yan aslanlar. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, Haziran 2020<\/p><\/div>\n
Bah\u00e7e, Belvedere Saray\u0131’n\u0131n en eski b\u00f6l\u00fcm\u00fc olmakla beraber, peyzaj d\u00fczenlemeleri Frans\u0131z Peyzaj Mimar\u0131 Dominique Girard taraf\u0131ndan yap\u0131lm\u0131\u015ft\u0131r.<\/p>\n
$\"Yukar\u0131$
Belvedere Saray\u0131 bah\u00e7esi \u00fcst, orta ve alt olmak \u00fczere \u00fc\u00e7 terastan olu\u015fmaktad\u0131r. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, Eyl\u00fcl 2018<\/p><\/div>\n
Barok \u00fcsl\u00fbbu bah\u00e7e sanat\u0131n\u0131n t\u00fcm \u00f6zelliklerini burada bulmak m\u00fcmk\u00fcnd\u00fcr:<\/p>\n
Teraslar, duvar ve basamak gibi mimari ayr\u0131nt\u0131lar, simetrik \u00e7i\u00e7ek parterleri (symmetrische Blumenparterre), suyun; f\u0131skiye, kaskat ve geni\u015f y\u00fczeyler halinde g\u00f6steriye olanak sa\u011flayacak bi\u00e7imde kullan\u0131lan farkl\u0131 halleri, bir a\u00e7\u0131k m\u00fczeyi and\u0131rmayan bah\u00e7esinin yan\u0131 s\u0131ra, havuzlar\u0131n ayr\u0131lmaz par\u00e7as\u0131 olan heykeller.<\/p>\n
$\"Belvedere$
Belvedere Saray\u0131 bah\u00e7esi \u00fcst ve orta teraslar\u0131, detay foto\u011fraf\u0131. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, Eyl\u00fcl 2020<\/p><\/div>\n
Bah\u00e7e, hemen ilk bak\u0131\u015fta bir b\u00fct\u00fcn olarak alg\u0131lanabilmesi amac\u0131yla k\u0131smen daha dar ve uzunlamas\u0131na olu\u015fturulmu\u015ftur. B\u00f6ylece bir b\u00fct\u00fcnl\u00fckl\u00fc sanat eseri (Gesamtkunstwerk) olan bah\u00e7enin tamam\u0131na hakim bir bak\u0131\u015f a\u00e7\u0131s\u0131na sahip olabilmek m\u00fcmk\u00fcnd\u00fcr.<\/p>\n
$\"Belvedere$
Yukar\u0131 Belvedere Saray\u0131’n\u0131n g\u00fcneyinde bulunan bah\u00e7e ve su aynas\u0131. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, Eyl\u00fcl 2020<\/p><\/div>\n
Yukar\u0131 Belvedere’in g\u00fcneyinde bulunan havuz, cephenin buraya yans\u0131yarak daha heybetli bir estetik g\u00f6r\u00fcn\u00fcme kavu\u015fmas\u0131n\u0131 sa\u011flamas\u0131 amac\u0131yla bir su aynas\u0131 (Spiegelungsteich) g\u00f6revi g\u00f6rmektedir.<\/p>\n
Rennweg taraf\u0131ndaki A\u015fa\u011f\u0131 Belvedere Saray\u0131<\/span><\/strong><\/span><\/a> ve Landstra\u00dfer Hauptg\u00fcrtel taraf\u0131ndaki Yukar\u0131 Belvedere Saray\u0131<\/strong><\/span><\/span><\/a> aras\u0131nda yakla\u015f\u0131k 23 m kot fark\u0131 bulunur\u00a0[7]<\/a><\/sup>. Belvedere Saray\u0131 bah\u00e7esinin merkezi k\u0131sm\u0131 bu her iki saray\u0131 birbirine ba\u011flayan e\u011fimli arazi \u00fczerine teras edilmi\u015f\u00a0alt<\/a><\/strong><\/span><\/span>, orta<\/a><\/span><\/span><\/strong> ve \u00fcst<\/a><\/span><\/span><\/strong> olmak \u00fczere \u00fc\u00e7 ayr\u0131 b\u00f6l\u00fcmden olu\u015fmaktad\u0131r.<\/p>\n
$\"Belvedere$
Belvedere Saray\u0131 bah\u00e7esinin \u00fcst teras\u0131n\u0131n yan\u0131nda bulunan hafif e\u011fimli rampalar. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, A\u011fustos 2020<\/p><\/div>\n
\u00dcst ve orta teraslar\u0131n sa\u011f ve sol taraflar\u0131nda -basamaklarla insanlar\u0131n gereksiz enerji harcamas\u0131n\u0131 \u00f6nlenmek amac\u0131yla yap\u0131lan- hafif e\u011fimli rampalar bulunmaktad\u0131r.<\/p>\n
$\"Belvedere$
Belvedere Saray\u0131 bah\u00e7esinin \u00fcst ve orta teraslar\u0131n\u0131n sa\u011f ve sol kenarlar\u0131nda hafif e\u011fimli rampalar bulunmakta. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, A\u011fustos 2020<\/p><\/div>\n
Alt ve orta teraslar aras\u0131ndaki kot fark\u0131 ise hakk\u0131nda birazdan detayl\u0131ca bahsedece\u011fimiz ve bah\u00e7enin sa\u011f ve solunda bulununan merdivenler<\/a><\/span><\/strong><\/span> vas\u0131tas\u0131yla a\u015f\u0131l\u0131r. Bu her iki merdivenin ortas\u0131nda ise bir di\u011fer havuz bulunmaktad\u0131r.<\/p>\n
$\"Belvedere$
Yukar\u0131 Belvedere Saray\u0131’ndan A\u015fa\u011f\u0131 Belvedere istikametine bak\u0131\u015f. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f,\u00a0Eyl\u00fcl 2018<\/p><\/div>\n
Belvedere Saray\u0131 bah\u00e7esindeki \u00fc\u00e7 farkl\u0131 terasta bulunan heykellerin ana temalar\u0131 ise \u015fu \u015fekildedir:<\/p>\n
\n
\u00dcst tera<\/span>s<\/span><\/span><\/strong><\/a>:<\/span><\/span> Sfenks (Almanca: Sphengen) olarak tabir edilen, yar\u0131 aslan ve yar\u0131 gen\u00e7 k\u0131zdan olu\u015fan kar\u0131\u015f\u0131k mistik varl\u0131klar<\/li>\n<\/ul>\n
\n
Orta teras<\/strong><\/span><\/span><\/a>:<\/span> Merkezinde bulunan kaskatl\u0131 havuz vas\u0131tas\u0131yla insan\u0131 temsil eden be\u015f (5) say\u0131s\u0131na vurgu<\/li>\n<\/ul>\n\n
Alt teras<\/span><\/strong><\/a><\/span>:<\/span>\n\n
Kar\u015f\u0131l\u0131kl\u0131 iki\u015fer adet olmak \u00fczere toplamda yaln\u0131z 8 M\u00fcz (edebiyat ve m\u00fczik tanr\u0131\u00e7alar\u0131), 9. ve sonuncu M\u00fcz olan\u00a0Kalliope ise Herk\u00fcl ile beraber<\/li>\n
Daphne (Defne) ve kendisine mutlu sonla bitmeyen amans\u0131z bir a\u015fkla ba\u011flanan Apollon<\/li>\n
Ate\u015f<\/li>\n
Su.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n
<\/p>\n
Belvedere Saray\u0131 bah\u00e7esi – \u00dcst teras: Sfenksler<\/h3>\n
Yukar\u0131 Belvedere Saray\u0131<\/strong> \u00f6n\u00fcnde ve bah\u00e7enin \u00fcst teras\u0131nda bulunan y\u00fcr\u00fcy\u00fc\u015f yollar\u0131n\u0131n kenarlar\u0131nda, merdiven ba\u015flar\u0131nda bulunan beyaz mermerden yap\u0131lan Sfenks heykelleri dikkat \u00e7ekmektedir (Almanca: Sphingen).<\/p>\n
$\"Belvedere$
Belvedere Saray\u0131 bah\u00e7esinde Sfenksler. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, A\u011fustos 2020<\/p><\/div>\n
Sfenkslerin, gizli bilgileri saklay\u0131p korumak ve l\u00e2y\u0131k olmayanlar\u0131n eline ge\u00e7mesine mani olmak ad\u0131na g\u00f6zc\u00fcl\u00fck etmeleri g\u00f6reviyle M\u0131s\u0131r tap\u0131naklar\u0131n\u0131n \u00f6nlerinde kendilerine yer bulduklar\u0131 bilinmektedir.<\/p>\n
$\"Belvedere$
Yukar\u0131 Belvedere Saray\u0131 \u00f6n\u00fcndeki merdiven ba\u015flar\u0131nda bulunan Sfenks heykelleri, Viyana. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, Temmuz 2020<\/p><\/div>\n
Yar\u0131 aslan ve yar\u0131 gen\u00e7 k\u0131zdan olu\u015fan bu kar\u0131\u015f\u0131k varl\u0131klar\u0131n yine ayn\u0131 sebepten Belvedere Saray\u0131 <\/strong>bah\u00e7esinde bulunduklar\u0131 varsay\u0131lmaktad\u0131r\u00a0[2]<\/a><\/sup>.<\/p>\n
$\"Belvedere$
Yukar\u0131 Belvedere Saray\u0131 \u00f6n\u00fcndeki merdiven ba\u015flar\u0131nda bulunan Sfenks heykelleri, Viyana. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, A\u011fustos 2020<\/p><\/div>\n
Yasir Saydam, \u0130stanbul \u00dcniversitesi Sosyal Bilimler Enstit\u00fcs\u00fc Sanat Tarihi Anabilim Dal\u0131’nda tamamlad\u0131\u011f\u0131 “Bat\u0131 resim sanat\u0131nda sfenks betimi” ba\u015fl\u0131kl\u0131 y\u00fcksek lisans tezinde, Belvedere Saray\u0131 bah\u00e7esindeki Sfenks heykellerinden “Maniyerist Sfenks heykelleri” olarak bahsetmekte. Al\u0131nt\u0131 [6]<\/a><\/sup>:<\/p>\n
\n
Sfenks imgesinin Avrupa\u2019da tekrar belirimi 16.y\u00fczy\u0131lda Maniyerist d\u00f6nemde g\u00f6zlemlenmeye ba\u015flam\u0131\u015ft\u0131r. \u2018\u2019Frans\u0131z Sfenksi\u2018\u2019 olarak da bilinen s\u00fcsl\u00fc ba\u015fl\u0131kl\u0131 bir kafa ve gen\u00e7 kad\u0131n g\u00f6\u011f\u00fcslerine sahip Sfenks s\u0131kl\u0131kla kula\u011f\u0131nda inci k\u00fcpeler ve m\u00fccevherlerle betimlenmi\u015ftir. V\u00fccudu ise dinlenen bir aslan pozisyonunda g\u00f6r\u00fclmektedir.<\/p>\n
Fransa\u2019dan b\u00fct\u00fcn Avrupa’ya yay\u0131lan Sfenks \u00f6zellikle dekoratif d\u0131\u015f mek\u00e2n mimarisinin d\u00fczenli bir par\u00e7as\u0131 olmu\u015ftur. Viyana\u2019da Belvedere Saray\u0131<\/strong>, Potsdam\u2019da Sanssouci Park, \u0130spanya\u2019da La Granja, Bialystok \u2018da Branicki Saray\u0131 veya ge\u00e7 Rokoko \u00f6rne\u011fi olarak g\u00f6r\u00fclebilecek Portekiz\u2019deki Queluz Ulusal Saray\u0131\u2019ndaki par\u00e7alar Avrupa\u2019daki Sfenks imgesinin ba\u015fl\u0131ca \u00f6\u011felerindendir.<\/p>\n<\/blockquote>\n
<\/p>\n
Belvedere Saray\u0131 bah\u00e7esi – Orta teras:\u00a0Orta Yol (Goldene Mitte)\u00a0[2]<\/a><\/sup><\/h3>\n
Saray bah\u00e7esinin \u00fcst ve orta teraslar\u0131n\u0131 birbirine ba\u011flayan, \u00fcst terastaki f\u0131skiyeli havuzun sular\u0131n\u0131n be\u015f (5) basamaktan s\u00fcz\u00fclerek alt terasta bulunan havuza d\u00f6k\u00fcld\u00fc\u011f\u00fc bir kaskatl\u0131 havuz (Almanca: Kaskadenbrunnen) bulunmaktad\u0131r.<\/p>\n
$\"Belvedere$
Belvedere Saray\u0131 bah\u00e7esinin \u00fcst ve orta teraslar\u0131n\u0131 birbirine ba\u011flayan kaskatl\u0131 havuz. Viyana. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, A\u011fustos 2020.<\/p><\/div>\n
Be\u015f (5) rakam\u0131, bir (1) ve on (10) say\u0131lar\u0131n\u0131n ortas\u0131nda bulunmas\u0131 nedeniyle tercih edilmi\u015ftir.<\/p>\n
$\"Belvedere$ <\/a>
Belvedere Saray\u0131 Bah\u00e7esinin merkezinde bulunan kaskatl\u0131 havuz. Viyana. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f<\/p><\/div>\n
Burada vurgulanmak istenen ise be\u015finci unsurdur (Latince: quinta essentia): maddenin 4 unsur olarak kabul edilen ate\u015f, toprak, hava ve su hallerinden olu\u015fan ve daha farkl\u0131 olarak, alg\u0131lanamayan unsuru, insan! [2]<\/a><\/sup>.<\/p>\n
$\"Belvedere$
Saray bah\u00e7esinin merkezi ve\u00a0\u00fcst teras\u0131nda bulunan f\u0131skiyeli havuzdan A\u015fa\u011f\u0131 Belvedere Saray\u0131’na bak\u0131\u015f, Viyana. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, Temmuz 2020<\/p><\/div>\n
\n
$\"Belvedere$
Saray bah\u00e7esinin merkezi ve\u00a0\u00fcst teras\u0131nda bulunan f\u0131skiyeli havuzdan A\u015fa\u011f\u0131 Belvedere Saray\u0131’na bak\u0131\u015f, Viyana. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, A\u011fustos 2020<\/p><\/div>\n
\u00a0<\/div>\n
Alt ve orta teras\u0131 birbirine ba\u011flayan alegorik zaman basamaklar\u0131 [2]<\/a><\/sup><\/h3>\n
Belvedere Saray\u0131 bah\u00e7esinin alt ve orta teraslar\u0131n\u0131n kot fark\u0131n\u0131 a\u015fmak i\u00e7in faydan\u0131lan merdivenlerin ba\u015flar\u0131nda bulunan gerek vazolar, gerek erkek \u00e7ocuk heykelleri ve gerekse de basamaklar\u0131n aras\u0131ndaki rampan\u0131n \u00fczerinde yer alan geometrik semboller estetik ama\u00e7tan daha fazlas\u0131na hizmek etmekte olup, y\u00fcklendikleri mana bak\u0131m\u0131ndan sembolik ve alegorik alg\u0131lanmalar\u0131 gerekmektedir.<\/p>\n
Alegori: Bir hikayenin, i\u00e7indeki insan ve olaylara sembolik anlamlar y\u00fcklenerek betimleni\u015fi [22]<\/a><\/sup>. <\/div>\n
Peki bu semboller ne anlama gelmektedir ve Prens Eugen bunlar vas\u0131tas\u0131yla nas\u0131l bir mesaj vermek istemektedir?<\/p>\n
$\"Belvedere$
Alegorik zaman basamaklar\u0131,\u00a0Belvedere Saray\u0131, Viyana. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, Temmuz 2020<\/p><\/div>\n
Bir\u00e7ok eski simgelerin t\u00fcm halklar\u0131n evrensel bilgeli\u011fini temsil ettikleri bilinmektedir. Sadece \u00c7in’de de\u011fil, Avrupa’da da R\u00f6nesans’tan itibaren ve \u00f6zellikle de Barok d\u00f6neminde mimaride, bah\u00e7e tasar\u0131mlar\u0131nda ve sanat eserlerinde bu sembollere rastlamak m\u00fcmk\u00fcnd\u00fcr.<\/p>\n
Basamaklar\u0131n ortas\u0131ndaki rampan\u0131n \u00fczerinde bulunan, birbirine ba\u011fl\u0131 haldeki daire ve halkalar kozmik uyuma dikkat \u00e7ekmektedirler. Kare; kuzey, g\u00fcney, do\u011fu ve bat\u0131 olmak \u00fczere d\u00f6rt y\u00f6n\u00fcyle beraber d\u00fcnyay\u0131, daire ise ilahi olan\u0131 (Almanca: G\u00f6ttlich) ve u\u00e7suz bucaks\u0131z g\u00f6ky\u00fcz\u00fcn\u00fc temsil etmektedir. Say\u0131larla ifade edecek olursak; Tanr\u0131 “1”, d\u00fcnya ise “4”.<\/p>\n
$\"Belvedere$
Alegorik zaman merdivenlerinin trabzanlar\u0131nda bulunan erkek \u00e7ocuk heykelleri, Belvedere Saray\u0131, Viyana. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, Temmuz 2020<\/p><\/div>\n
Merdiven korkuluklar\u0131 ya da di\u011fer bir tabirle trabzanlarda (Almanca: Treppenbalustraden) bulunan 2 x 6 alt\u0131 adet k\u00fc\u00e7\u00fck erkek \u00e7ocu\u011fu heykelleri ise (Almanca: Putti, \u0130talyanca: Putto) y\u0131l\u0131n 12 ay\u0131na vurgu yapmaktad\u0131rlar. Her bir ay\u0131n ismi, kendisini temsil eden erkek \u00e7ocu\u011fun ayaklar\u0131 alt\u0131nda yazmaktad\u0131r.<\/p>\n
$\"Belvedere$
Belvedere Saray\u0131’n\u0131n alegorik zaman basamaklar\u0131nda Kas\u0131m (November) ay\u0131n\u0131 temsil eden erkek \u00e7ocuk heykeli, Viyana. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, Temmuz 2020<\/p><\/div>\n
Merdivenlerin alt k\u0131s\u0131mlar\u0131n\u0131n sa\u011f ve sol ba\u015flar\u0131nda ise ilkbahar, yaz, sonbahar ve k\u0131\u015f olmak \u00fczere her bir mevsimi temsilen birer vazo bulunmaktad\u0131r.<\/p>\n
$\"Belvedere$
Alegorik zaman basamaklar\u0131nda bulunan her bir vazo bir mevsimi temsil etmektedir. Belvedere Saray\u0131, Viyana. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, Temmuz 2020<\/p><\/div>\n
Bu kadar aylar ve y\u0131llardan bahsetmi\u015fken merdivenlerin basamak say\u0131lar\u0131n\u0131n da bir ay\u0131n g\u00fcn say\u0131s\u0131na tekab\u00fcl eden 30 ya da 31 olmas\u0131 gerekti\u011fini d\u00fc\u015f\u00fcnebilir insan. Halbuki her bir merdivende, ortada bulunan rampan\u0131n sa\u011f ve solunda olmak \u00fczere 2 x 35 = 70 basama\u011f\u0131 bulunmaktad\u0131r. Bah\u00e7enin her iki taraf\u0131ndaki merdivenlerde ise toplamda ise 70 x 2 = 140 basamak.<\/p>\n
35 rakam\u0131 7’nin\u00a0bir kat say\u0131s\u0131 olmakla beraber, zaman\u0131n ak\u0131\u015f\u0131n\u0131n sembolik tasviri oldu\u011fundan tercih edilmi\u015ftir. Dolay\u0131s\u0131yla burada ama\u00e7 g\u00fcnleri, aylar\u0131 ya da y\u0131llar\u0131 saymak de\u011fil, insan hayat\u0131n\u0131n farkl\u0131 evrelerine vurgu yapmakt\u0131r.<\/p>\n
T\u00fcm bu anlatt\u0131klar\u0131m\u0131nzdan yola \u00e7\u0131karak \u00f6zetleyecek olursak:<\/p>\n
\n
12 ay ve 4 mevsimden olu\u015fan y\u0131ll\u0131k d\u00f6ng\u00fclerde 4 rakam\u0131, d\u00fcnyevi ya\u015fam\u0131 temsil etmekte olup, hayat\u0131n 7’\u015fer y\u0131ldan olu\u015fan 10 devresini temsilen 70 basama\u011f\u0131 geride b\u0131rakarak, kare ve dairenin birle\u015fmesiyle vurgulanmakta olan g\u00f6ky\u00fcz\u00fcne uzanan yola i\u015faret etmektedir.<\/p>\n<\/blockquote>\n
$\"Belvedere$
Alt ve orta teras\u0131n ortas\u0131nda bulunan havuzun detay foto\u011fraf\u0131. Belvedere Saray\u0131, Viyana. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, A\u011fustos 2020<\/p><\/div>\n
Belvedere Saray\u0131 bah\u00e7esinin alt ve orta teras\u0131n\u0131 birbirine ba\u011flayan hakk\u0131nda biraz evvel bahsetti\u011fimiz alegorik zaman basamaklar\u0131n\u0131n ortas\u0131nda ise bir di\u011fer havuz yer almaktad\u0131r.<\/p>\n
$\"Belvedere$
Alt ve orta teras\u0131n ortas\u0131nda bulunan havuzun yan profilden g\u00f6r\u00fcn\u00fc\u015f\u00fc. Belvedere Saray\u0131, Viyana. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, A\u011fustos 2020<\/p><\/div>\n
7 say\u0131s\u0131n\u0131n gizemi<\/strong>\u00a0^{[2]<\/a><\/sup><\/h4>\nHayat 7 y\u0131ll\u0131k ritimlerde evrelere ayr\u0131l\u0131r. 7 ya\u015f\u0131nda okula ba\u015flar\u0131z, 14 ya\u015f\u0131nda ergenli\u011fe gireriz ve (eskiden) 21 ya\u015f\u0131nda re\u015fit say\u0131l\u0131rd\u0131k (g\u00fcn\u00fcm\u00fczde 18). Her 7 y\u0131lda bir hayat\u0131m\u0131z\u0131n bir d\u00f6nemini tamamlam\u0131\u015f oluruz. 7\u00a0say\u0131s\u0131 Belvedere Saray\u0131 mimarisinde de kar\u015f\u0131m\u0131za \u00e7\u0131kmaktad\u0131r.\u00a0A\u015fa\u011f\u0131 ve Yukar\u0131 Belvedere Saraylar\u0131\u00a07 y\u0131l s\u00fcren \u00e7al\u0131\u015fmalar sonucunda tamamlanm\u0131\u015flard\u0131r.<\/p>\nA\u015fa\u011f\u0131 Belvedere Saray\u0131 bah\u00e7e cephesi risaliti. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, A\u011fustos 2020<\/p><\/div>\nA\u015fa\u011f\u0131 Belvedere Saray\u0131<\/a><\/span><\/strong>, 7’nin bir kat say\u0131s\u0131 olan 35 adet pencereye sahiptir ve\u00a0\u00f6n \u00e7\u0131k\u0131nt\u0131s\u0131 (risalit, \u0130talyanca: Risalita) 7 eksenlidir (7 achsiger Mittelrisalit).<\/p>\n
Yukar\u0131 Belvedere Saray\u0131 maketi, g\u00fcney cephesi. Saray \u00e7at\u0131s\u0131\/\u00e7at\u0131lar\u0131 T\u00fcrk \u00e7ad\u0131rlar\u0131na benzetilmekte. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, A\u011fustos 2020<\/p><\/div> Yukar\u0131 Belvedere Saray\u0131 maketi, kuzey cephesi. Saray \u00e7at\u0131s\u0131\/\u00e7at\u0131lar\u0131 T\u00fcrk \u00e7ad\u0131rlar\u0131na benzetilmekte. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, A\u011fustos 2020<\/p><\/div><\/p>\nYukar\u0131 Belvedere Saray\u0131 7 b\u00f6l\u00fcmden olu\u015fur ve her bir b\u00f6l\u00fcm\u00fcn ayr\u0131 bir \u00e7at\u0131s\u0131 bulunmaktad\u0131r\u00a0[2]<\/a><\/sup>. Bu \u00e7at\u0131lar\u0131n baz\u0131 ki\u015filere “T\u00fcrk \u00e7ad\u0131rlar\u0131n\u0131” (T\u00fcrkenzelte) an\u0131msatt\u0131klar\u0131 belirtilmektedir\u00a0[21]<\/a><\/sup>.<\/p>\n
Merkez k\u0131sm\u0131 Yukar\u0131 Belvedere Saray\u0131’n\u0131n do\u011fu cephesine bakan ve saraya ait bir hayvanat bah\u00e7esi bulunmaktayd\u0131. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, cep telefonu \u00e7ekimi, Temmuz 2020<\/p><\/div>\n
Saray\u0131n hayvanat bah\u00e7esi (Almanca: Menagerie) 7 b\u00f6l\u00fcmden olu\u015fmaktayd\u0131. Yukar\u0131 Belvedere Saray\u0131’nda gerek Mermer Salon’daki \u015f\u00f6mineler \u00fczerinde, gerekse de saray\u0131n farkl\u0131 salonlar\u0131nda bir zamanlar burada bulundurulan hayvanlar\u0131n resimlerine yer verilmi\u015ftir.<\/p>\n
Tesad\u00fcf budur ki, Prens Eugen 73 y\u0131l ya\u015fam\u0131\u015f ve hayat\u0131n 7 y\u0131ldan olu\u015fan 10 devresini tamamlam\u0131\u015ft\u0131r.<\/p>\n
\u00d6zhan \u00d6zt\u00fcrk blogunda, \u00e7e\u015fitli k\u00fclt\u00fcrlerde kutsal kabul edilen 7 say\u0131s\u0131n\u0131n gizemi \u00fczerine g\u00fczel bir yaz\u0131 haz\u0131rlam\u0131\u015f. Okuman\u0131z\u0131 tavsiye ederim:<\/p>\n7 say\u0131s\u0131n\u0131n gizemi: Din, Folklor ve Mitolojide Yedi (7) rakam\u0131<\/a><\/p><\/blockquote>\n
<\/iframe><\/p>\n<h3 id=\"belvederesarayibahcesialtteras\">Belvedere Saray\u0131 bah\u00e7esi – Alt teras<\/h3>\n<p>Saray bah\u00e7esinin alt teras\u0131n\u0131n sa\u011f ve sol y\u00fcr\u00fcy\u00fc\u015f yollar\u0131 boyunca Yunan Mitolojisi’nde karde\u015f tanr\u0131\u00e7alar olarak bilinen M\u00fczler’in (edebiyat ve sanat tanr\u0131\u00e7alar\u0131, Almanca: Musen) heykelleri bulunmaktad\u0131r. \u0130nan\u0131\u015fa g\u00f6re Zeus ile Mnemosyne 9 gece \u00fcst \u00fcste ili\u015fkiye girmi\u015fler ve her bir gecenin sonucunda bir M\u00fcz do\u011fmu\u015ftur.<\/p>\n<div id=\"attachment_9405\" style=\"width: 810px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9405\" class=\"wp-image-9405 size-large\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/asagi-belvedere-sarayindan-yukari-belvedere-sarayina-bakis-viyana-www.muratcangumus.com_-800x305.jpg\" alt=\"Belvedere Saray\u0131\" width=\"800\" height=\"305\" srcset=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/asagi-belvedere-sarayindan-yukari-belvedere-sarayina-bakis-viyana-www.muratcangumus.com_.jpg 800w, https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/asagi-belvedere-sarayindan-yukari-belvedere-sarayina-bakis-viyana-www.muratcangumus.com_-768x293.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><p id=\"caption-attachment-9405\" class=\"wp-caption-text\">Belvedere Saray\u0131 bah\u00e7esinin alt teras\u0131nda, merkez y\u00fcr\u00fcy\u00fc\u015f yolunun kenarlar\u0131nda M\u00fczler’e ithafen bulunan heykeller. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, A\u011fustos 2020<\/p><\/div>\n<p>Bunlardan sekizi yaln\u0131z, dokuzuncular\u0131 olan Kalliope ise Herk\u00fcl’le beraber te\u015fhir edilmi\u015flerdir. Bunlar\u0131n d\u0131\u015f\u0131nda ate\u015fin, suyun ve Daphne’ye (Defne) mutlu sonla bitmeyen imk\u00e2ns\u0131z bir a\u015fkla tutulan Apollon’un heykelleri bulunmaktad\u0131r. Bu heykeller Giovanni Stanetti imzal\u0131d\u0131r.<\/p>\n<div class=\"wps-shortcode-wrapper wps-alert wps-alert-primary\" id=\"wps-alert\">Alt terasta bulunan hangi heykelin kime ithafen yap\u0131ld\u0131\u011f\u0131n\u0131 bu ba\u011flant\u0131dan \u00f6\u011frenebilirsiniz:<\/p>\n<p>https:\/\/www.burghauptmannschaft.at\/uploads\/690.013-figuren_&_figurengruppen_im_belvederegarten_(hq).pdf<\/div>\n<p> <\/p>\n<h2 id=\"yukaribelvedere\">Yukar\u0131 Belvedere\u00a0Saray\u0131<\/h2>\n<p>Sadece sarayda bulunan eserler de\u011fil, ayn\u0131 zamanda \u00fczerine kuruldu\u011fu alan da baz\u0131 sembolik de\u011ferlere sahiptir.<\/p>\n<div id=\"attachment_9159\" style=\"width: 810px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9159\" class=\"wp-image-9159 size-large\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/yukari-belvedere-sarayi-viyana-2-www.muratcangumus.com_-800x533.jpg\" alt=\"Belvedere Saray\u0131\" width=\"800\" height=\"533\" srcset=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/yukari-belvedere-sarayi-viyana-2-www.muratcangumus.com_.jpg 800w, https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/yukari-belvedere-sarayi-viyana-2-www.muratcangumus.com_-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><p id=\"caption-attachment-9159\" class=\"wp-caption-text\">Yukar\u0131 Belvedere Saray\u0131, Viyana. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, Temmuz 2020<\/p><\/div>\n<p>Yukar\u0131 Belvedere Saray\u0131, 204 m rak\u0131ml\u0131 ve manzaras\u0131 neredeyse t\u00fcm \u015fehre hakim bir tepenin \u00fczerine yap\u0131l\u0131r. <strong><span style=\"text-decoration: underline;\"><span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/www.muratcangumus.com\/viyana-kusatmasi\" target=\"_blank\" rel=\"noopener\">1683 II. Viyana Ku\u015fatmas\u0131<\/a><\/span><\/span><\/strong>‘n\u0131n kaderini belirleyecek olan, Leh Kral\u0131 III. Jan Sobieski komutas\u0131ndaki ittifak ordusunun, 11\/12 Eyl\u00fcl Cumartesi gecesi s\u0131rtlar\u0131ndan \u00e2deta karanl\u0131\u011f\u0131 yararak ge\u00e7ti\u011fi Kahlenberg ismindeki da\u011f da bu manzaran\u0131n bir par\u00e7as\u0131d\u0131r.<\/p>\n<p>Peki Belvedere Tepesi’nin Yunan Mitolojisi’nde ad\u0131 ge\u00e7en Apollon’un ya\u015fad\u0131\u011f\u0131 Parnassos Da\u011f\u0131 ile ne gibi bir ba\u011flant\u0131s\u0131 olabilir?<\/p>\n<p>Saray bah\u00e7esindeki Sfenks (Sphengen) heykellerinden tutun, y\u00fcr\u00fcy\u00fc\u015f yollar\u0131 boyunca kar\u015f\u0131n\u0131za \u00e7\u0131kacak heykellere, hepsi Yunan Mitolojisi’ne birer at\u0131f te\u015fkil etmektedirler. Prens Eugen, kendini bu mitolojinin bir par\u00e7as\u0131 olarak g\u00f6r\u00fcr; O, d\u00fcnyan\u0131n derinliklerinden tanr\u0131lar\u0131n evine y\u00fckselen Apollon’dur <sup><a href=\"#Kaynakca\">[2]<\/a><\/sup>.\u00a0<\/p>\n<p>G\u00fcne\u015f Tanr\u0131s\u0131 Apollon, Zeus’un liderli\u011findeki, say\u0131lar\u0131 y\u0131l\u0131n 12 ay\u0131na tekab\u00fcl eden 12 Olimpos tanr\u0131s\u0131ndan biridir. 2.457 m rak\u0131ml\u0131\u00a0Parnassos Da\u011f\u0131, Apollo’nun Antik Yunanistan’daki evidir. Belvedere’in \u00fczerinde bulundu\u011fu tepenin rak\u0131m\u0131n\u0131 temsilen 204 say\u0131s\u0131na, saray\u0131n yap\u0131 y\u00fcksekli\u011fi eklendi\u011finde ortaya, 2.457 say\u0131s\u0131n\u0131n 1\/12’si \u00e7\u0131kmaktad\u0131r\u00a0<sup><a href=\"#Kaynakca\">[2]<\/a><\/sup>.<\/p>\n<p> <\/p>\n<h3 id=\"giris\">Sala terrena (Giri\u015f salonu)<\/h3>\n<p>Yukar\u0131 Belvedere’e ad\u0131m att\u0131\u011f\u0131n\u0131z andan itibaren bah\u00e7e manzaral\u0131 g\u00f6rkemli bir salon olan\u00a0<strong>Sala terrena<\/strong> taraf\u0131ndan kar\u015f\u0131lan\u0131rs\u0131n\u0131z.\u00a0G\u00fcn\u00fcm\u00fcz itibar\u0131yla Yukar\u0131 Belvedere Saray\u0131 ana giri\u015f kap\u0131s\u0131 burada bulunmaktad\u0131r.<\/p>\n<div class=\"wps-shortcode-wrapper wps-alert wps-alert-primary\" id=\"wps-alert\">Sala terrena, saray ve \u015fatolar\u0131n, genellikle ana ekseni\u00a0 (Almanca: Hauptachse) \u00fczerinde ve bah\u00e7e taraf\u0131nda bulunan ve giri\u015f kat\u0131nda yer almalar\u0131 nedeniyle d\u00fcz ayak girilebilen (Almanca: ebenerdig) salonlara verilen add\u0131r.<\/div>\n<div id=\"attachment_9445\" style=\"width: 810px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9445\" class=\"wp-image-9445 size-large\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-viyana-giris-salonu-sala-terrena-1-www.muratcangumus.com_-800x594.jpg\" alt=\"Belvedere Saray\u0131\" width=\"800\" height=\"594\" srcset=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-viyana-giris-salonu-sala-terrena-1-www.muratcangumus.com_.jpg 800w, https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-viyana-giris-salonu-sala-terrena-1-www.muratcangumus.com_-768x570.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><p id=\"caption-attachment-9445\" class=\"wp-caption-text\">Sala terrena ve tavan\u0131n\u0131 ayakta tutan d\u00f6rt Atlant, Yukar\u0131 Belvedere Saray\u0131, Viyana. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, A\u011fustos 2020<\/p><\/div>\n<p>Sala terrena, hi\u00e7bir s\u00fctun kullan\u0131lmayan bir salon olarak planlan\u0131p hayata ge\u00e7irilmi\u015f, l\u00e2kin yap\u0131m\u0131ndan hemen sonra statik nedenlerden meydana gelen hasarlar nedeniyle salonun tavan\u0131 1732 senesinde Hildebrandt taraf\u0131ndan Atlant olarak tabir edilen\u00a0bir nevi ta\u015f\u0131y\u0131c\u0131 estetik s\u00fctunlar yard\u0131m\u0131yla desteklenmi\u015ftir.<\/p>\n<div id=\"attachment_9586\" style=\"width: 277px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9586\" class=\"wp-image-9586 size-full\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2020\/09\/yukari-belvedere-sarayi-viyana-atlant-2-www.muratcangumus.com_.jpg\" alt=\"Belvedere Saray\u0131\" width=\"267\" height=\"600\" \/><p id=\"caption-attachment-9586\" class=\"wp-caption-text\">Yukar\u0131 Belvedere Saray\u0131 giri\u015f salonunda (Sala terrena) bulunan d\u00f6rt atlanttan biri. Yukar\u0131 Belvedere Saray\u0131, Viyana. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, Temmuz 2020<\/p><\/div>\n<div class=\"wps-shortcode-wrapper wps-alert wps-alert-primary\" id=\"wps-alert\"><\/p>\n<p><strong>Atlant <\/strong>(Almanca; tekil: Atlas, \u00e7o\u011ful: Atlanten), mimaride erkek heykeli i\u015flemeli\u00a0ta\u015f\u0131y\u0131c\u0131 s\u00fctunlara verilen add\u0131r\u00a0<sup><a href=\"#Kaynakca\">[19]<\/a><\/sup>.\u00a0 Atlantlar\u0131n belden yukar\u0131lar\u0131 \u00f6ne do\u011fru e\u011fik ve kollar\u0131 havadad\u0131r.\u00a0Roma mimarisinde Telamon’a tekab\u00fcl eder.<\/p>\n<p>Koren (Almanca) ise di\u015fi heykellerine verilen add\u0131r. \u015eayet mimaride ta\u015f\u0131y\u0131c\u0131 g\u00f6rev ifa eden elemanlar ise -Karyal\u0131 k\u0131zlara ithafen- Karyatid (Almanca: Karyatide) ad\u0131 verilir\u00a0<sup><a href=\"#Kaynakca\">[20]<\/a><\/sup>.<\/p>\n<p>Yaz\u0131lanlardan anla\u015f\u0131laca\u011f\u0131 \u00fczere Atlantlar ve Karyatidler, yap\u0131larda hem estetik hem de ta\u015f\u0131y\u0131c\u0131 g\u00f6revi ifa eden elemanlard\u0131r.<\/div>\n<div id=\"attachment_9449\" style=\"width: 810px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9449\" class=\"wp-image-9449 size-large\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-viyana-giris-salonu-maria-theresia-ve-esi-imparator-i-franz-stephan-heykelleri-www.muratcangumus.com_-800x600.jpg\" alt=\"Belvedere Saray\u0131\" width=\"800\" height=\"600\" srcset=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-viyana-giris-salonu-maria-theresia-ve-esi-imparator-i-franz-stephan-heykelleri-www.muratcangumus.com_.jpg 800w, https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-viyana-giris-salonu-maria-theresia-ve-esi-imparator-i-franz-stephan-heykelleri-www.muratcangumus.com_-768x576.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><p id=\"caption-attachment-9449\" class=\"wp-caption-text\">Maria Theresia’n\u0131n ve e\u015fi I. Franz Stephan’\u0131n Macaristan Krali\u00e7esi\/Kral\u0131 olarak ta\u00e7 giyme t\u00f6renlerini temsilen Franz Xaver Messerschmidt taraf\u0131lan yap\u0131lan bronz heykelleri. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, A\u011fustos 2020<\/p><\/div>\n<p>Maria Theresia ve e\u015fi I. Franz Stephan’\u0131n 25.06.1741 tarihinde Presburg’ta Macaristan Kral\u0131 olarak ta\u00e7 giyme t\u00f6renlerini temsilen Franz Xaver Messerschmidt taraf\u0131ndan yap\u0131lan bronz heykelleri, giri\u015f salonunun sa\u011f ve sol k\u00f6\u015felerinde bulunmaktad\u0131r.<\/p>\n<p> <\/p>\n<h3>T\u00f6ren merdiveni (Prunkstiege) [9]<\/h3>\n<p>Bu merdiven, Prens Eugen’in \u00f6zel misafirleri i\u00e7in d\u00fczenledi\u011fi g\u00f6steri\u015fli kar\u015f\u0131lama t\u00f6renlerine ev sahipli\u011fi yapm\u0131\u015ft\u0131r.<\/p>\n<div id=\"attachment_9161\" style=\"width: 410px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9161\" class=\"wp-image-9161 size-full\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/yukari-belvedere-sarayi-guney-cephesi-rampalar-viyana-www.muratcangumus.com_.jpg\" alt=\"Belvedere Saray\u0131\" width=\"400\" height=\"600\" \/><p id=\"caption-attachment-9161\" class=\"wp-caption-text\">Yukar\u0131 Belvedere Saray\u0131 (ana) giri\u015f kap\u0131s\u0131 g\u00fcney cephesinde bulunmaktayd\u0131. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, Haziran 2020<\/p><\/div>\n<p><strong>Belvedere Saray\u0131<\/strong> yap\u0131ld\u0131\u011f\u0131nda ana giri\u015f kap\u0131s\u0131 hemen bir \u00fcst foto\u011frafta g\u00f6r\u00fclen ve sonradan kap\u0131 ve pencerelerle kaplanan g\u00fcney cephesinde bulunmaktayd\u0131.<\/p>\n<div id=\"attachment_9593\" style=\"width: 810px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9593\" class=\"wp-image-9593 size-large\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2020\/09\/yukari-belvedere-sarayi-guney-cephesi-risalit-www.muratcangumus.com_-800x501.jpg\" alt=\"Belvedere Saray\u0131\" width=\"800\" height=\"501\" srcset=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2020\/09\/yukari-belvedere-sarayi-guney-cephesi-risalit-www.muratcangumus.com_.jpg 800w, https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2020\/09\/yukari-belvedere-sarayi-guney-cephesi-risalit-www.muratcangumus.com_-768x481.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><p id=\"caption-attachment-9593\" class=\"wp-caption-text\">Yukar\u0131 Belvedere Saray\u0131 maketi, g\u00fcney cephesi. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, A\u011fustos 2020<\/p><\/div>\n<p>At arabalar\u0131yla gelen misafirler, bir \u00fcstteki g\u00f6rselde dikkat \u00e7eken rampalar\u0131 kullanarak saray\u0131n i\u00e7ine, t\u00f6ren merdivenine kadar girebilmekte ve buradan \u00fcst katta,\u00a0<strong>Yukar\u0131 Belvedere Saray\u0131<\/strong>‘n\u0131n merkez ekseni \u00fczerinde bulunan\u00a0<span style=\"text-decoration: underline;\"><span style=\"color: #0000ff;\"><strong><a style=\"color: #0000ff; text-decoration: underline;\" href=\"#mermersalon\">Mermer Salon<\/a><\/strong><\/span><\/span>‘a \u00e7\u0131kabilmektelerdi.<\/p>\n<div id=\"attachment_9509\" style=\"width: 810px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9509\" class=\"wp-image-9509 size-large\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2020\/09\/yukari-belvedere-sarayi-viyana-merdivenleri-1-www.muratcangumus.com_-800x531.jpg\" alt=\"Belvedere Saray\u0131\" width=\"800\" height=\"531\" srcset=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2020\/09\/yukari-belvedere-sarayi-viyana-merdivenleri-1-www.muratcangumus.com_.jpg 800w, https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2020\/09\/yukari-belvedere-sarayi-viyana-merdivenleri-1-www.muratcangumus.com_-768x510.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><p id=\"caption-attachment-9509\" class=\"wp-caption-text\">Yukar\u0131 Belvedere Saray\u0131’nda giri\u015f kat\u0131ndan g\u00fcneye cepheye bak\u0131\u015f. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f<\/p><\/div>\n<p>T\u00f6ren merdiveni genel olarak, gerek duvarlar\u0131nda bulunan r\u00f6lyefler, gerekse de burada bulunan heykellerden yola \u00e7\u0131karak, hi\u00e7bir sava\u015f\u0131 kaybetmedi\u011fi bilinen ve tarihin en b\u00fcy\u00fck komutanlar\u0131ndan biri olarak kabul edilen B\u00fcy\u00fck \u0130skender’e (Alexander der Gro\u00dfe) atfedilmi\u015ftir.<\/p>\n<div id=\"attachment_9439\" style=\"width: 810px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9439\" class=\"wp-image-9439 size-large\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/yukari-belvedere-sarayi-viyana-merdiven-sahanligi-1-www.muratcangumus.com_-800x533.jpg\" alt=\"Belvedere Saray\u0131 \" width=\"800\" height=\"533\" srcset=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/yukari-belvedere-sarayi-viyana-merdiven-sahanligi-1-www.muratcangumus.com_.jpg 800w, https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/yukari-belvedere-sarayi-viyana-merdiven-sahanligi-1-www.muratcangumus.com_-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><p id=\"caption-attachment-9439\" class=\"wp-caption-text\">Yukar\u0131 Belvedere Saray\u0131 merdiven sahanl\u0131\u011f\u0131nda Mermer Salon istikametine bak\u0131\u015f. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, A\u011fustos 2020<\/p><\/div>\n<p>Burada bulunan zengin s\u00fcslemeler ise Prens Eugen’in kendini ikinci B\u00fcy\u00fck \u0130skender olarak g\u00f6rmesini temsil etmekten ba\u015fka bir amaca hizmek etmemektedirler.<\/p>\n<div id=\"attachment_9487\" style=\"width: 810px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9487\" class=\"wp-image-9487 size-large\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/yukari-belvedere-sarayi-viyana-toren-merdiveni-rolyef-buyuk-iskenderin-dariusa-karsi-kazandigi-zafer-www.muratcangumus.com_-800x731.jpg\" alt=\"Belvedere Saray\u0131\" width=\"800\" height=\"731\" srcset=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/yukari-belvedere-sarayi-viyana-toren-merdiveni-rolyef-buyuk-iskenderin-dariusa-karsi-kazandigi-zafer-www.muratcangumus.com_.jpg 800w, https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/yukari-belvedere-sarayi-viyana-toren-merdiveni-rolyef-buyuk-iskenderin-dariusa-karsi-kazandigi-zafer-www.muratcangumus.com_-768x702.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><p id=\"caption-attachment-9487\" class=\"wp-caption-text\">Yukar\u0131 Belvedere Saray\u0131 t\u00f6ren merdiveninin sa\u011f duvar\u0131nda bulunan r\u00f6lyef. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, A\u011fustos 2020<\/p><\/div>\n<p>\u00a0Merdiven sahanl\u0131\u011f\u0131n\u0131n sa\u011f merdiven duvar\u0131ndaki r\u00f6lyef B\u00fcy\u00fck \u0130skender’in Pers Kral\u0131 Darius’a kar\u015f\u0131 kazand\u0131\u011f\u0131 zaferi konu almaktad\u0131r.<\/p>\n<div id=\"attachment_9486\" style=\"width: 810px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9486\" class=\"wp-image-9486 size-large\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/yukari-belvedere-sarayi-viyana-toren-merdiveni-rolyef-buyuk-iskender-dariusun-kadinlari-www.muratcangumus.com_-800x721.jpg\" alt=\"Belvedere Saray\u0131\" width=\"800\" height=\"721\" srcset=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/yukari-belvedere-sarayi-viyana-toren-merdiveni-rolyef-buyuk-iskender-dariusun-kadinlari-www.muratcangumus.com_.jpg 800w, https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/yukari-belvedere-sarayi-viyana-toren-merdiveni-rolyef-buyuk-iskender-dariusun-kadinlari-www.muratcangumus.com_-768x692.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><p id=\"caption-attachment-9486\" class=\"wp-caption-text\">Yukar\u0131 Belvedere Saray\u0131 t\u00f6ren merdiveninin sol duvar\u0131nda bulunan r\u00f6lyef. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, A\u011fustos 2020<\/p><\/div>\n<p>Sol merdiven duvar\u0131ndaki r\u00f6lyefte ise \u0130skender’in ayaklar\u0131 \u00f6n\u00fcnde Darius’un kad\u0131nlar\u0131 g\u00f6ze \u00e7arpmaktad\u0131rlar\u00a0<sup><a href=\"#Kaynakca\">[5]<\/a><\/sup>.<\/p>\n<div id=\"attachment_9507\" style=\"width: 810px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9507\" class=\"wp-image-9507 size-large\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2020\/09\/yukari-belvedere-sarayi-toren-merdiveni-www.muratcangumus.com_-800x533.jpg\" alt=\"Belvedere Saray\u0131\" width=\"800\" height=\"533\" srcset=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2020\/09\/yukari-belvedere-sarayi-toren-merdiveni-www.muratcangumus.com_.jpg 800w, https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2020\/09\/yukari-belvedere-sarayi-toren-merdiveni-www.muratcangumus.com_-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><p id=\"caption-attachment-9507\" class=\"wp-caption-text\">Yukar\u0131 Belvedere Saray\u0131 merdiven sahanl\u0131\u011f\u0131ndan bah\u00e7e istikametine (g\u00fcney cephesine) bak\u0131\u015f. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, A\u011fustos 2020<\/p><\/div>\n<p>Yukar\u0131 Belvedere Saray\u0131’n\u0131n merdivenlerinden \u00fcst kata \u00e7\u0131kt\u0131\u011f\u0131n\u0131zda,\u00a0<span style=\"text-decoration: underline;\"><span style=\"color: #0000ff;\"><strong><a style=\"color: #0000ff; text-decoration: underline;\" href=\"#mermersalon\">Mermer Salon<\/a><\/strong><\/span><\/span>‘un giri\u015f kap\u0131s\u0131n\u0131n sa\u011f\u0131nda bir adet ve solunda ise iki adet olmak \u00fczere Barok mimarisinde yap\u0131lan Belvedere Saray\u0131’n\u0131n simetrisini bir manada alt \u00fcst eden, Avusturyal\u0131 sanat\u00e7\u0131 Gerold Tusch taraf\u0131ndan Yunan Mitolojisi’nde adlar\u0131 ge\u00e7en Gorgonlar’a (Almanca: Gorgonen) ithafen yap\u0131lan keramik vazolar dikkat \u00e7ekmektedir. Bu vazolar 2013 y\u0131l\u0131ndaki bir sat\u0131n alma i\u015flemi sonucu envantere kat\u0131lm\u0131\u015flard\u0131r.<\/p>\n<div class=\"wps-shortcode-wrapper wps-alert wps-alert-primary\" id=\"wps-alert\">Gorgo kelimesi, k\u00f6k itibar\u0131yla Yunanca’da ‘korkunca’ tekab\u00fcl eder. Gorgonlar; Forkis ve Keto’nun, Medusa, Euryale ve Stheno isimlerindeki k\u0131zlar\u0131d\u0131r.\u00a0Yunan mitolojisinde korkun\u00e7 di\u015fli canavarlar olarak tabir edilirler.\u00a0Keskin di\u015fleri ve sa\u00e7 yerine ba\u015flar\u0131nda zehirli y\u0131lanlar vard\u0131r. \u0130\u00e7lerinde tek \u00f6l\u00fcml\u00fc olan Medusa’n\u0131n surat\u0131na bakan ki\u015fiyi ta\u015fa \u00e7evirdi\u011fi s\u00f6ylenir.<\/div>\n<div id=\"attachment_8950\" style=\"width: 810px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-8950\" class=\"wp-image-8950 size-large\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-viyana-gorgonlar-www.muratcangumus.com_-800x524.jpg\" alt=\"Belvedere Saray\u0131\" width=\"800\" height=\"524\" srcset=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-viyana-gorgonlar-www.muratcangumus.com_.jpg 800w, https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-viyana-gorgonlar-www.muratcangumus.com_-768x503.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><p id=\"caption-attachment-8950\" class=\"wp-caption-text\">Yukar\u0131 Belvedere Saray\u0131’nda, merdiven sahanl\u0131\u011f\u0131nda Gorgonlar’a ithafen bulunan vazolar. Sol: Medusa, sa\u011f: Euryale ve Stheno’ya ithafen. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, Temmuz 2020<\/p><\/div>\n<p>Solda tarafta Medusa’y\u0131 temsilen bir adet ve sa\u011f tarafta ise Euryale ve Stheno’yu temsilen iki adet olmak \u00fczere toplamda \u00fc\u00e7 adet vazo bulunmaktad\u0131r.\u00a0Medusa vazosunun hemen yan\u0131nda, ayak ucunda bulunan k\u0131r\u0131k par\u00e7a, onun \u00f6l\u00fcml\u00fc olmas\u0131na vurgu yapmaktad\u0131r.<\/p>\n<p>Helenizim’le (Hellenismus) beraber Medusa’n\u0131n B\u00fcy\u00fck \u0130skender’in k\u0131z karde\u015fi oldu\u011fu rivayeti ortaya \u00e7\u0131km\u0131\u015ft\u0131r.<\/p>\n<p> <\/p>\n<h3 id=\"mermersalon\">Mermer Salon (Marmorsaal)<\/h3>\n<p>Mermer Salon, Yukar\u0131 Belveder Saray\u0131’n\u0131n ana ekseni \u00fczerinde bulunmaktad\u0131r.<\/p>\n<div id=\"attachment_8932\" style=\"width: 441px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-8932\" class=\"wp-image-8932 size-full\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-viyana-mermer-salon-3-www.muratcangumus.com_.jpg\" alt=\"Belvedere Saray\u0131\" width=\"431\" height=\"600\" \/><p id=\"caption-attachment-8932\" class=\"wp-caption-text\">Yukar\u0131 Belvedere Saray\u0131 Mermer Salon. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, Temmuz 2020<\/p><\/div>\n<p>K\u0131rm\u0131z\u0131ms\u0131 kahverengi mermerleri ve alt\u0131n yald\u0131zl\u0131 tezniyat\u0131yla (g\u00f6z al\u0131c\u0131 s\u00fcsler, bezekler) Mermer Salon,\u00a0<span style=\"color: #0000ff;\"><strong><a style=\"color: #0000ff;\" href=\"#saray sapeli\">Saray \u015eapeli<\/a><\/strong><\/span>‘nin (Almanca: Schlosskapelle) yan\u0131 s\u0131ra, Yukar\u0131 Belvedere Saray\u0131’n\u0131n tavan y\u00fckseklikleri iki kat\u0131 kapsayan iki b\u00f6l\u00fcm\u00fcnden biridir ayn\u0131 zamanda.<\/p>\n<div id=\"attachment_9432\" style=\"width: 810px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9432\" class=\"wp-image-9432 size-large\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-mermer-salon-www.muratcangumus.com_-800x553.jpeg\" alt=\"Belvedere Saray\u0131\" width=\"800\" height=\"553\" srcset=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-mermer-salon-www.muratcangumus.com_.jpeg 800w, https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-mermer-salon-www.muratcangumus.com_-768x531.jpeg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><p id=\"caption-attachment-9432\" class=\"wp-caption-text\">Yukar\u0131 Belvedere Saray\u0131 Mermer Salon. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, Eyl\u00fcl 2018<\/p><\/div>\n<p>Mermer Salon’un (Almanca: Marmorsaal) i\u00e7 mek\u00e2n perspektif boyamalar\u0131 (Almanca: Quadraturmalerei) Napolili Gaetano Fanti taraf\u0131ndan yap\u0131lm\u0131\u015ft\u0131r\u00a0<sup><a href=\"#Kaynakca\">[1]<\/a><\/sup>.<\/p>\n<div id=\"attachment_8929\" style=\"width: 810px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-8929\" class=\"wp-image-8929 size-large\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-viyana-mermer-salon-tavan-freski-www.muratcangumus.com_-800x592.jpg\" alt=\"Belvedere Saray\u0131\" width=\"800\" height=\"592\" srcset=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-viyana-mermer-salon-tavan-freski-www.muratcangumus.com_.jpg 800w, https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-viyana-mermer-salon-tavan-freski-www.muratcangumus.com_-768x568.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><p id=\"caption-attachment-8929\" class=\"wp-caption-text\">Mermer Salon’un tavan freski. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, Yukar\u0131 Belvedere Saray\u0131, Temmuz 2020<\/p><\/div>\n<p>Mermer Salon’un tavan freskleri 1721-1723 aras\u0131nda Carlo Innocenzo Carlone taraf\u0131ndan boyanm\u0131\u015ft\u0131r <sup><a href=\"#Kaynakca\">[1]<\/a><\/sup>.<\/p>\n<p>1955 y\u0131l\u0131nda Avusturya Devlet S\u00f6zle\u015fmesi’nin\u00a0(Almanca: Staatsvertrag) bu salonda imzalanm\u0131\u015f olmas\u0131 nedeniyle Mermer Salon, Avusturya yak\u0131n tarihinde \u00f6nemli bir yer te\u015fkil etmektedir.<\/p>\n<div id=\"attachment_8926\" style=\"width: 810px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-8926\" class=\"wp-image-8926 size-large\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-viyana-avusturya-devlet-s\u00f6zlesmesi-1955-www.muratcangumus.com_-800x666.jpg\" alt=\"Belvedere Saray\u0131\" width=\"800\" height=\"666\" srcset=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-viyana-avusturya-devlet-s\u00f6zlesmesi-1955-www.muratcangumus.com_.jpg 800w, https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-viyana-avusturya-devlet-s\u00f6zlesmesi-1955-www.muratcangumus.com_-768x639.jpg 768w, https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-viyana-avusturya-devlet-s\u00f6zlesmesi-1955-www.muratcangumus.com_-85x70.jpg 85w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><p id=\"caption-attachment-8926\" class=\"wp-caption-text\">15.05.1955 tarihinde Mermer Salon’da Avusturya Devlet S\u00f6zle\u015fmesi’nin (Staatsvertrag) imzalanmas\u0131n\u0131 konu alan ya\u011fl\u0131 boya tablo. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, Yukar\u0131 Belvedere Saray\u0131, Eyl\u00fcl 2018<\/p><\/div>\n<p>15.05.1955 tarihinde d\u00f6rt m\u00fcttefik devletler olan ABD, \u0130ngiltere, Sovyetler Birli\u011fi, B\u00fcy\u00fck Britanya ve Fransa d\u0131\u015fi\u015fleri bakanlar\u0131n\u0131n yan\u0131 s\u0131ra, d\u00f6nemin Avusturya D\u0131\u015fi\u015fleri Bakan\u0131 Dr. Leopold Figl taraf\u0131ndan ve toplamda 5 devlet adam\u0131 taraf\u0131ndan Avusturya Devlet S\u00f6zle\u015fmesi (Almanca: Staatsvertrag) bu salonda imzalanm\u0131\u015ft\u0131r. Dr. Figl, ‘Avusturya \u00f6zg\u00fcrd\u00fcr (\u00d6sterreich ist frei!) s\u00f6zlerini Mermer Salon’da imzalar\u0131n at\u0131lmas\u0131n\u0131n hemen ard\u0131ndan s\u00f6ylemi\u015ftir.<\/p>\n<div id=\"attachment_8106\" style=\"width: 572px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-8106\" class=\"wp-image-8106 size-full\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2018\/12\/avusturyanin-baskenti-viyana-tarihi-avusturya-devlet-sozlesmesi-staatsvertrag-1955-belvedere-sarayi-austria-forum.jpg\" alt=\"Belvedere Saray\u0131\" width=\"562\" height=\"400\" \/><p id=\"caption-attachment-8106\" class=\"wp-caption-text\">Avusturya Devlet S\u00f6zle\u015fmesi (Staatsvertrag) imza t\u00f6reni sonras\u0131, ortada D\u0131\u015fi\u015fleri Bakan\u0131 Leopold Figl, 1955. Kaynak: austria-forum.org<\/p><\/div>\n<p>Daha sonra balkona \u00e7\u0131karak elindeki belgeyi Belvedere Saray\u0131 Bah\u00e7esi’nde merakla bekleyenlere do\u011fru g\u00f6stermi\u015f ve insanlardan sevin\u00e7 \u00e7\u0131\u011fl\u0131klar\u0131 y\u00fckselmi\u015ftir.<\/p>\n<div id=\"attachment_8928\" style=\"width: 560px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-8928\" class=\"wp-image-8928 size-large\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-viyana-avusturya-devlet-s\u00f6zlesmesi-1955-3-www.muratcangumus.com_-800x819.jpg\" alt=\"Belvedere Saray\u0131\" width=\"550\" height=\"563\" srcset=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-viyana-avusturya-devlet-s\u00f6zlesmesi-1955-3-www.muratcangumus.com_.jpg 800w, https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-viyana-avusturya-devlet-s\u00f6zlesmesi-1955-3-www.muratcangumus.com_-768x786.jpg 768w\" sizes=\"(max-width: 550px) 100vw, 550px\" \/><p id=\"caption-attachment-8928\" class=\"wp-caption-text\">Mermer Salon’un zemininde bulunan 1955 Avusturya Devlet S\u00f6zle\u015fmesi konulu sat\u0131rlar. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, Yukar\u0131 Belvedere Saray\u0131, Temmuz 2020<\/p><\/div>\n<p>Dikkat edilece\u011fi \u00fczere gerek s\u00f6z konusu tarihin belirlenmesi, gerekse de s\u00f6zle\u015fmeyi imzalayan devlet adamlar\u0131n\u0131n say\u0131s\u0131 elbette bir tesad\u00fcften ibaret de\u011fildir. Burada <strong><span style=\"text-decoration: underline;\"><span style=\"color: #0000ff;\"><a style=\"color: #0000ff; text-decoration: underline;\" href=\"#belvederesarayibahcesiortateras\">Belvedere Saray\u0131 bah\u00e7esi orta teras\u0131<\/a><\/span><\/span><\/strong>ndaki havuzdan bahsederken de de\u011findi\u011fimiz \u00fczere, be\u015f say\u0131s\u0131na ve dolay\u0131s\u0131yla ‘insana’ vurgu yap\u0131lm\u0131\u015ft\u0131r.<\/p>\n<div id=\"attachment_8930\" style=\"width: 810px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-8930\" class=\"wp-image-8930 size-large\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayinin-bahcesi-viyana-www.muratcangumus.com_-800x468.jpg\" alt=\"Belvedere Saray\u0131\" width=\"800\" height=\"468\" srcset=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayinin-bahcesi-viyana-www.muratcangumus.com_.jpg 800w, https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayinin-bahcesi-viyana-www.muratcangumus.com_-768x449.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><p id=\"caption-attachment-8930\" class=\"wp-caption-text\">Belvedere Saray\u0131 bah\u00e7esi. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, Eyl\u00fcl 2018<\/p><\/div>\n<p>Mermer Salon’un pencerelerinden g\u00fczel bir Viyana manzaras\u0131 Belvedere Saray\u0131 ziyaret\u00e7ilerini beklemektedir.<\/p>\n<p> <\/p>\n<h3 id=\"saray sapeli\">Saray \u015eapeli (Schlosskapelle)\u00a0<sup><a href=\"#Kaynakca\">[5],[10]<\/a><\/sup><\/h3>\n<p>Saray \u015eapeli (Almanca: Kapelle), Yukar\u0131 Belvedere Saray\u0131’n\u0131n g\u00fcneydo\u011fusundaki sekizgen kulede (Almanca: Oktogonaler Turm) yer al\u0131r.\u00a0\u015eapel, Prens Eugen’in ayinlere galeriden (Almanca: Empore) kat\u0131labilmesini m\u00fcmk\u00fcn k\u0131labilmek amac\u0131yla -Mermer Salon’da oldu\u011fu \u00fczere- y\u00fcksekli\u011fi iki kat\u0131 kapsayacak \u015fekilde yap\u0131lm\u0131\u015ft\u0131r. Alt\u0131n yald\u0131zl\u0131 tezniyat\u0131 yine ayn\u0131 \u015fekilde Mermer Salon’dakilere benzerlik g\u00f6sterir.<\/p>\n<div id=\"attachment_9219\" style=\"width: 365px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9219\" class=\"wp-image-9219 size-large\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/yukari-belvedere-sarayi-sapeli-apsis-resim-viyana-www.muratcangumus.com_-800x1200.jpg\" alt=\"Belvedere Saray\u0131\" width=\"355\" height=\"533\" srcset=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/yukari-belvedere-sarayi-sapeli-apsis-resim-viyana-www.muratcangumus.com_.jpg 800w, https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/yukari-belvedere-sarayi-sapeli-apsis-resim-viyana-www.muratcangumus.com_-768x1152.jpg 768w\" sizes=\"(max-width: 355px) 100vw, 355px\" \/><p id=\"caption-attachment-9219\" class=\"wp-caption-text\">Yukar\u0131 Belvedere Saray\u0131 \u015fapelinde galeriden apsise do\u011fru bak\u0131\u015f. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, Temmuz 2020<\/p><\/div>\n<p>Apsiste bulunan Hz. \u0130sa’n\u0131n tekrar dirili\u015fini konu alan motif, Napoli’de Barok sanat\u0131n\u0131n \u00f6nemli temsilcilerinden olan Christi von Francesco Solimena men\u015feilidir.<\/p>\n<div class=\"wps-shortcode-wrapper wps-alert wps-alert-primary\" id=\"wps-alert\">Apsis, kilise i\u00e7erisinde ibadet yaparken y\u00f6nelilen alana verilen isimdir ve genellikle giri\u015fin tam kar\u015f\u0131s\u0131nda bulunur (Kaynak: \u0130slam Ansiklopedisi). Bir nevi camilerdeki mihrap gibi d\u00fc\u015f\u00fcnebiliriz.<\/div>\n<p>Altar’\u0131n kenarlar\u0131nda bulunan heykeller Genoval\u0131 Domenico Parodi taraf\u0131ndan yap\u0131lm\u0131\u015ft\u0131r. Bunlardan biri Hristiyanl\u0131k’ta Vaftizci Yahy\u00e2 (Almanca: Johannes der Taeufer), \u0130sl\u00e2mi kaynaklarda ise Hz. Yahy\u00e2 olarak ge\u00e7en peygamberi g\u00f6sterir.\u00a0<\/p>\n<div class=\"wps-shortcode-wrapper wps-alert wps-alert-primary\" id=\"wps-alert\">Hz. Yahy\u00e2, Kur’an’da ad\u0131 ge\u00e7en ve \u0130srailo\u011fullar\u0131’na g\u00f6nderilen bir peygamberdir. \u0130sl\u00e2mi kaynaklarda Hz. Muhammed ve Hz. \u0130sa’dan \u00f6nce gelen \u00fc\u00e7\u00fcnc\u00fc son peygamber olarak kabul edilir. Son d\u00f6nemlerde bir hayli g\u00fcndemde kalan Ayasofya’n\u0131n galeri duvar\u0131nda tasviri bulunmaktad\u0131r\u00a0(Kaynak: \u0130slam Ansiklopedisi).<\/div>\n<p>Di\u011fer heykel ise Hz. \u0130sa’n\u0131n 12 hav\u00e2rislerinden biri olan ve Leonardo Da Vinci’nin me\u015fhur ‘Son Ak\u015fam Yeme\u011fi’ isimli tablosunda yer alan Petrus’u tasvir etmektedir.<\/p>\n<div class=\"wps-shortcode-wrapper wps-alert wps-alert-primary\" id=\"wps-alert\">Hz. \u0130sa daha tebli\u011f faaliyetinin ba\u015f\u0131nda kendisine inananlardan tebli\u011f ve ir\u015fad g\u00f6revinde yard\u0131mc\u0131 olmalar\u0131 amac\u0131yla on iki (12) ki\u015fi se\u00e7mi\u015f ve bunlara hav\u00e2ri ad\u0131n\u0131 vermi\u015ftir. Bat\u0131 dillerinde, Grek\u00e7e\u2019de \u201cbir g\u00f6revi ifa etmek \u00fczere g\u00f6nderilen\u201d anlam\u0131ndaki\u00a0<b>apostolos<\/b>tan gelen\u00a0<b>apostle, ap\u00f4tre<\/b>\u00a0kelimeleri kullan\u0131l\u0131r (Kaynak: \u0130slam Ansiklopedisi).<\/div>\n<div id=\"attachment_9217\" style=\"width: 810px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9217\" class=\"wp-image-9217 size-large\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/yukari-belvedere-sarayi-sapeli-tavan-freski-viyana-www.muratcangumus.com_-800x533.jpg\" alt=\"Belvedere Saray\u0131\" width=\"800\" height=\"533\" srcset=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/yukari-belvedere-sarayi-sapeli-tavan-freski-viyana-www.muratcangumus.com_.jpg 800w, https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/yukari-belvedere-sarayi-sapeli-tavan-freski-viyana-www.muratcangumus.com_-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><p id=\"caption-attachment-9217\" class=\"wp-caption-text\">Yukar\u0131 Belvedere Saray\u0131, Saray \u015eapeli’nin Kutsal Tesl\u00ees konulu tavan freski. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, Temmuz 2020<\/p><\/div>\n<p>\u015eapelin tavan\u0131ndaki fresk ise saray\u0131n giri\u015f kat\u0131nda bulunan <strong><span style=\"text-decoration: underline;\"><a href=\"#carlonesalonu\">Carlone Salonu<\/a><\/span><\/strong>‘na ad\u0131n\u0131 veren Carlo Innocenzo Carlones taraf\u0131ndan boyanm\u0131\u015f olup, bir g\u00f6ky\u00fcz\u00fc manzaras\u0131 \u00f6n\u00fcnde Kutsal Tesl\u00ees’i konu al\u0131r.<\/p>\n<div class=\"wps-shortcode-wrapper wps-alert wps-alert-primary\" id=\"wps-alert\">S\u00f6zl\u00fckte ‘\u00fc\u00e7leme’ anlam\u0131na gelen tesl\u00ees (Yunanca: trias; Latince: trinitas) \u0130slam gelene\u011finde Hristiyanl\u0131\u011f\u0131n baba-o\u011ful-kutsal ruhtan olu\u015fan\u00a0\u00fc\u00e7 unsurlu ilahl\u0131k anlay\u0131\u015f\u0131n\u0131 ifade eder\u00a0<sup><a href=\"#Kaynakca\">[11]<\/a><\/sup>.<\/div>\n<p>Salomon Kleiner’in 1730’l\u00fc y\u0131llara ait \u00e7izimlerinden yola \u00e7\u0131karak, Yukar\u0131 Belvedere Saray\u0131 \u015eapeli’nin orjinal haliyle g\u00fcn\u00fcm\u00fcze kadar ula\u015fabildi\u011fi anla\u015f\u0131lmaktad\u0131r.<\/p>\n<p>Burada g\u00fcn\u00fcm\u00fcz itibar\u0131yla dini nik\u00e2hlar k\u0131y\u0131lmakta ve her hafta saat 12:00’da pazar ayini yap\u0131lmaktad\u0131r.<\/p>\n<p> <\/p>\n<h3 id=\"carlonesalonu\">Carlone Salonu (Carlonesaal)<\/h3>\n<p>Bu salon ad\u0131n\u0131, (Kuzey) \u0130talyan fresk ustas\u0131 Carlo Innocenzo Carlone’den (1686-1775) alm\u0131\u015ft\u0131r. Tavandaki, Aurora’n\u0131n zaferini konu alan fresk yine ayn\u0131 \u015fah\u0131s taraf\u0131ndan boyanm\u0131\u015ft\u0131r <sup><a href=\"#Kaynakca\">[5]<\/a><\/sup>.<\/p>\n<div id=\"attachment_9447\" style=\"width: 810px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9447\" class=\"wp-image-9447 size-large\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-viyana-carlone-salonu-www.muratcangumus.com_-800x533.jpg\" alt=\"Belvedere Saray\u0131\" width=\"800\" height=\"533\" srcset=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-viyana-carlone-salonu-www.muratcangumus.com_.jpg 800w, https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-viyana-carlone-salonu-www.muratcangumus.com_-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><p id=\"caption-attachment-9447\" class=\"wp-caption-text\">Yukar\u0131 Belvedere Saray\u0131, Carlone Salonu. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, A\u011fustos 2020<\/p><\/div>\n<p>Buras\u0131 bir zamanlar s\u0131cak yaz g\u00fcnlerinde topluca vakit ge\u00e7irilen bir salon olarak kullan\u0131lm\u0131\u015ft\u0131r.<\/p>\n<div id=\"attachment_8954\" style=\"width: 810px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-8954\" class=\"wp-image-8954 size-large\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-viyana-orta-cag-sanat-galerisi-2-www.muratcangumus.com_-800x533.jpg\" alt=\"Belvedere Saray\u0131\" width=\"800\" height=\"533\" srcset=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-viyana-orta-cag-sanat-galerisi-2-www.muratcangumus.com_.jpg 800w, https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-viyana-orta-cag-sanat-galerisi-2-www.muratcangumus.com_-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><p id=\"caption-attachment-8954\" class=\"wp-caption-text\">Yukar\u0131 Belvedere Saray\u0131, Carlone Salonu. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, Eyl\u00fcl 2018<\/p><\/div>\n<p>G\u00fcn\u00fcm\u00fcz itibar\u0131yla ise \u00e7a\u011fda\u015f sanat ak\u0131m\u0131na ba\u011fl\u0131 sanat\u00e7\u0131lar taraf\u0131ndan\u00a0fresklerde i\u015flenen ba\u015fl\u0131ca Barok konulara kar\u015f\u0131 pozisyon al\u0131narak, bir anlamda antik tanr\u0131lar d\u00fcnyas\u0131ndan gelece\u011fe k\u00f6pr\u00fcler kurulan bir mek\u00e2n rol\u00fcne b\u00fcr\u00fcnd\u00fcr\u00fclm\u00fc\u015ft\u00fcr\u00a0<sup><a href=\"#Kaynakca\">[5]<\/a><\/sup>.<\/p>\n<p> <\/p>\n<h1 id=\"sanatkoleksiyonlari\"><span style=\"color: #008000;\">Yukar\u0131 Belvedere\u00a0Saray\u0131 sanat koleksiyonlar\u0131<\/span><\/h1>\n<p>Ayd\u0131nlanmac\u0131 mutlakiyetin (Almanca: Aufgekl\u00e4rter Absolitismus) bir meyvesi olarak imparatorlu\u011fa ait sanat koleksiyonlar\u0131n\u0131n umuma a\u00e7\u0131lmas\u0131 gayesini benimseyen \u0130mparatori\u00e7e Maria Theresia ve o\u011flu \u0130mparator II. Josef, 1776 y\u0131l\u0131na gelindi\u011finde Stallburg’ta bulunan koleksiyonlar\u0131 Belvedere’e naklettirme karar\u0131 al\u0131rlar. 1781 senesinde \u0130mparatorluk Resim Galerisi’nin a\u00e7\u0131lmas\u0131yla Yukar\u0131 <strong>Belvedere Saray\u0131<\/strong> d\u00fcnyan\u0131n halka a\u00e7\u0131k ilk m\u00fczelerinden biri olur\u00a0<sup><a href=\"#Kaynakca\">[1]<\/a><\/sup>.<\/p>\n<p>Belvedere Saray\u0131, 1903 y\u0131l\u0131nda bu yana Avusturya’n\u0131n en b\u00fcy\u00fck sanat m\u00fczelerinden birine ev sahipli\u011fi yapmakla beraber, envanterinde Orta \u00c7a\u011f’dan \u00e7a\u011fda\u015f sanata uzanan bir\u00e7ok d\u00f6neme ait eserler bulunmaktad\u0131r. \u00d6zellikle de Avusturyal\u0131 sembolist ressam Gustav Klimt’in eserlerinden olu\u015fan d\u00fcnya \u00e7ap\u0131ndaki en b\u00fcy\u00fck, Egon Schiele ve Oskar Kokoschka’ya ait eserlerden olu\u015fan en b\u00fcy\u00fcklerinden say\u0131lan de\u011ferli koleksiyonlara ev sahipli\u011fi yapmaktad\u0131r\u00a0<sup><a href=\"#Kaynakca\">[1]<\/a><\/sup>.<\/p>\n<p> <\/p>\n<h2>Orta \u00c7a\u011f sanat koleksiyonu<\/h2>\n<p>220 eserden olu\u015fan Orta \u00c7a\u011f koleksiyonu, Belvedere koleksiyonlar\u0131 aras\u0131na kat\u0131lan en yenilerinden biri olma \u00f6zelli\u011fine sahiptir.\u00a0Koleksiyonun a\u011f\u0131rl\u0131k noktas\u0131n\u0131 ise 14. yy.’dan 16. yy’\u0131n ba\u015flar\u0131na uzanan d\u00f6neme ait ah\u015fap ve ta\u015f oyma heykellerin yan\u0131 s\u0131ra ah\u015fap pano \u00fczerine yap\u0131lan dini resimler (Almanca: Tafelbilder)\u00a0olu\u015fturmaktad\u0131rlar.<\/p>\n<div class=\"wps-shortcode-wrapper wps-alert wps-alert-primary\" id=\"wps-alert\">Ah\u015fap pano \u00fczerine yap\u0131lan dini resimlere “\u0130kona” ad\u0131 verilir. Bu resimler, Orta \u00c7a\u011f’da okuma yazmas\u0131 olmayan insanlara dini bilgileri \u00f6\u011freten ta\u015f\u0131y\u0131c\u0131 olma \u00f6zelli\u011fine sahiplerdi\u00a0<sup><a href=\"#Kaynakca\">[14]<\/a><\/sup>. <\/div>\n<blockquote>\n<p>Okuryazarlar i\u00e7in yaz\u0131 neyse, okuryazar olmayanlar i\u00e7in de resim odur <sup><a href=\"#Kaynakca\">[22]<\/a><\/sup>.<\/p>\n<\/blockquote>\n<div id=\"attachment_8958\" style=\"width: 810px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-8958\" class=\"wp-image-8958 size-large\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-viyana-orta-cag-sanat-galerisi-1-www.muratcangumus.com_-800x533.jpg\" alt=\"Belvedere Saray\u0131\" width=\"800\" height=\"533\" srcset=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-viyana-orta-cag-sanat-galerisi-1-www.muratcangumus.com_.jpg 800w, https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-viyana-orta-cag-sanat-galerisi-1-www.muratcangumus.com_-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><p id=\"caption-attachment-8958\" class=\"wp-caption-text\">Yukar\u0131 Belvedere Saray\u0131 Orta \u00c7a\u011f sanat koleksiyonu. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, Eyl\u00fcl 2018<\/p><\/div>\n<p>Monar\u015fi’nin son bulmas\u0131yla imparatorlu\u011fa ait sanat koleksiyonlar\u0131 Avusturya Cumhuriyeti m\u00fclkiyetine ge\u00e7er. <strong><span style=\"text-decoration: underline;\"><span style=\"color: #0000ff;\"><a style=\"color: #0000ff; text-decoration: underline;\" href=\"https:\/\/www.muratcangumus.com\/viyana-sanat-tarihi-muzesi\" target=\"_blank\" rel=\"noopener\">Viyana Sanat Tarihi M\u00fczesi<\/a><\/span><\/span><\/strong>‘nin 1920’li y\u0131llardan itibaren ger\u00e7ekle\u015ftirilen sat\u0131n alma i\u015flemleri sonucu zenginle\u015fen envanterindeki Orta \u00c7a\u011f Avusturya sanat\u0131na ait eserler, takas yoluyla Belvedere b\u00fcnyesine kat\u0131l\u0131r. 5 Aral\u0131k 1953 tarihi itibar\u0131yla <strong><span style=\"text-decoration: underline; color: #0000ff;\"><a style=\"color: #0000ff; text-decoration: underline;\" href=\"#asagibelvedere\">A\u015fa\u011f\u0131 Belvedere Saray\u0131<\/a><\/span><\/strong>‘n\u0131n bir b\u00f6l\u00fcm\u00fc olan <span style=\"text-decoration: underline;\"><strong><span style=\"color: #0000ff;\"><a style=\"color: #0000ff; text-decoration: underline;\" href=\"#limonluk\">Limonluk<\/a><\/span><\/strong><\/span>‘ta (Orangerie) sergilenmeye ba\u015flan\u0131r.<\/p>\n<p>2007 y\u0131l\u0131nda koleksiyonun yeniden yap\u0131land\u0131r\u0131lmas\u0131 neticesinde Gotik sanat\u0131na ait 60 ustal\u0131k eseri Yukar\u0131 Belvedere Saray\u0131’nda kendilerine yer bulurlar. Di\u011ferleri ise <strong><span style=\"text-decoration: underline; color: #0000ff;\"><a style=\"color: #0000ff; text-decoration: underline;\" href=\"#asagibelvedere\">A\u015fa\u011f\u0131 Belvedere Saray\u0131<\/a><\/span><\/strong>‘n\u0131n saray ah\u0131rlar\u0131nda (Almanca: Prunkstall) sergilenmeye ba\u015flan\u0131r.<\/p>\n<div id=\"attachment_8957\" style=\"width: 810px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-8957\" class=\"wp-image-8957 size-large\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-viyana-orta-cag-sanat-galerisi-www.muratcangumus.com_-800x535.jpg\" alt=\"Belvedere Saray\u0131\" width=\"800\" height=\"535\" srcset=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-viyana-orta-cag-sanat-galerisi-www.muratcangumus.com_.jpg 800w, https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-viyana-orta-cag-sanat-galerisi-www.muratcangumus.com_-768x514.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><p id=\"caption-attachment-8957\" class=\"wp-caption-text\">Yukar\u0131 Belvedere Saray\u0131 Orta \u00c7a\u011f sanat koleksiyonu. Meister von Gro\u00dflobming’e ait eserler. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, Eyl\u00fcl 2018<\/p><\/div>\n<p>Belvedere Saray\u0131 ziyaret\u00e7ileri, 220 eserden olu\u015fan Orta Avrupa b\u00f6lgesinin en \u00f6nemli Orta \u00c7a\u011f koleksiyonlar\u0131ndan birinin tamam\u0131n\u0131 g\u00f6rme imk\u00e2n\u0131na sahiptirler.<\/p>\n<p> <\/p>\n<h2>Barok<\/h2>\n<p>Belvedere Saray\u0131 b\u00fcnyesindeki barok resim galerisinin tarihi Prens Eugen’in koleksiyonculuk faaliyetlerine paralellik g\u00f6stermektedir.<\/p>\n<p>R\u00f6nesans d\u00f6nemi klasismine kar\u015f\u0131 tepki olarak ortaya \u00e7\u0131kan Barok, kilise taraf\u0131ndan desteklenmi\u015f ve 16. yy.’\u0131n ortalar\u0131ndan 18. yy’\u0131n ortalar\u0131na mimari, resim ve sanat alanlar\u0131nda etkilerini ortaya koyan bir sanat ak\u0131m\u0131 olmu\u015ftur. Belvedere Saray\u0131 Barok galerisinin ba\u015fl\u0131ca a\u011f\u0131rl\u0131k noktalar\u0131 \u015funlard\u0131r:<\/p>\n<h3>H\u00fck\u00fcmdar portreleri<\/h3>\n<p>H\u00fck\u00fcmdarlar\u0131n toplumdaki yerlerine vurgu yapan ve mutlakiyet\u00e7ilikteki (Almanca: Absolitismus) g\u00fc\u00e7lerine i\u015fareten\u00a0ni\u015fanlar\u0131yla (Almanca: Insiginien) tasvir edildikleri portreleri.<\/p>\n<div id=\"attachment_9591\" style=\"width: 810px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9591\" class=\"wp-image-9591 size-large\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2020\/09\/belvedere-sarayi-sanat-koleksiyonlari-barok-portre-maria-theresia-www.muratcangumus.com_-800x797.jpg\" alt=\"Belvedere Saray\u0131\" width=\"800\" height=\"797\" srcset=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2020\/09\/belvedere-sarayi-sanat-koleksiyonlari-barok-portre-maria-theresia-www.muratcangumus.com_.jpg 800w, https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2020\/09\/belvedere-sarayi-sanat-koleksiyonlari-barok-portre-maria-theresia-www.muratcangumus.com_-768x765.jpg 768w, https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2020\/09\/belvedere-sarayi-sanat-koleksiyonlari-barok-portre-maria-theresia-www.muratcangumus.com_-125x125.jpg 125w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><p id=\"caption-attachment-9591\" class=\"wp-caption-text\">Belvedere Saray\u0131 sanat koleksiyonlar\u0131 – Barok d\u00f6nemi portre. Bir askeri t\u00f6ren esnas\u0131nda \u0130mparatori\u00e7e Maria Theresia. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, Temmuz 2020<\/p><\/div>\n<p>\u0130mparatori\u00e7e Maria Theresia’n\u0131n bir askeri t\u00f6ren esnas\u0131nda \u00f6l\u00fcms\u00fczle\u015ftirilen bir an\u0131 bu tarz eserlere bir \u00f6rnek olarak g\u00f6sterilebilir.<\/p>\n<hr \/>\n<p><strong><span style=\"color: #008000;\">Bu da ilginizi \u00e7ekebilir<\/span><br \/>\n<\/strong><a href=\"https:\/\/www.muratcangumus.com\/viyana-askeri-tarih-muzesi\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-4602 alignleft\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2017\/09\/viyana-askeri-tarih-muzesi-osmanlidan-kalma-ganimetler-www.muratcangumus.com_-800x505.jpeg\" width=\"100\" height=\"63\" srcset=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2017\/09\/viyana-askeri-tarih-muzesi-osmanlidan-kalma-ganimetler-www.muratcangumus.com_-800x505.jpeg 800w, https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2017\/09\/viyana-askeri-tarih-muzesi-osmanlidan-kalma-ganimetler-www.muratcangumus.com_-768x485.jpeg 768w, https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2017\/09\/viyana-askeri-tarih-muzesi-osmanlidan-kalma-ganimetler-www.muratcangumus.com_.jpeg 1200w\" sizes=\"(max-width: 100px) 100vw, 100px\" \/><\/a>T\u00fcrkiye d\u0131\u015f\u0131ndaki m\u00fczeler i\u00e7erisinde en fazla T\u00fcrk eseri burada:<\/p>\n<p><strong>\u201e<span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.muratcangumus.com\/viyana-askeri-tarih-muzesi\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #0000ff; text-decoration: underline;\">Viyana Askeri Tarih M\u00fczesi<\/span><\/a><\/span>\u201c.<\/strong><\/p>\n<hr \/>\n<p> <\/p>\n<h3>Nat\u00fcrmort<\/h3>\n<p>T\u00fcrk Dil Kurumu \u00e7evrimi\u00e7i s\u00f6zl\u00fc\u011f\u00fcnde kar\u015f\u0131l\u0131\u011f\u0131 “\u00f6l\u00fcdo\u011fa” olan, hareketsiz ya da cans\u0131z varl\u0131klar\u0131 (Sebze, meyve, \u00e7i\u00e7ek vb.) konu alan bir resim tarz\u0131 olan nat\u00fcrmort (Almanca: Stilllebenmalerei) ise koleksiyonun bir di\u011fer a\u011f\u0131rl\u0131k noktas\u0131d\u0131r. Nat\u00fcrmort koleksiyonunda Johann Adalbert Angermayer ya da Franz Michael Siegmund von Purgau gibi sanat\u00e7\u0131lar\u0131n do\u011fa bilimlerindan ilham ald\u0131klar\u0131 k\u00fc\u00e7\u00fck par\u00e7a \u00e7al\u0131\u015fmalar\u0131 yer almaktad\u0131r.<\/p>\n<p>Barok tiyatrosunda\u00a0\u00f6nemli bir yer te\u015fkil etti\u011fi \u00fczere m\u00fczik ve dans e\u015fli\u011finde resmedilen saray e\u011flenceleri, fantastik ve bu zamana kadar gizli kalan d\u00fcnyalar\u0131 g\u00f6stermektedirler.<\/p>\n<p>“Sesli” ve “sakin ya\u015fam” anahtar kelimeleri, Barok devrinin e\u011flence k\u00fclt\u00fcr\u00fc ve nat\u00fcrmortu \u00f6zetlemeye yetecektirler.<\/p>\n<p> <\/p>\n<h3>Franz Xaver Messerschmidt – “Portreler”<\/h3>\n<p>Yukar\u0131 Belvedere Saray\u0131 Barok d\u00f6nemine ait en ilgin\u00e7 koleksiyonlardan biri de, saray\u0131n g\u00fcneybat\u0131 sekizgen kulesinde kendine yer bulan ve insan\u0131n, ya\u015fad\u0131\u011f\u0131 farkl\u0131 duygular\u0131n simas\u0131na yans\u0131yan hallerini konu alan, sanat\u00e7\u0131 Franz Xaver Messerschmidt taraf\u0131ndan “portreler” olarak tabir edilen eserleridir\u00a0<sup><a href=\"#Kaynakca\">[15]<\/a><\/sup>.<\/p>\n<div id=\"attachment_9254\" style=\"width: 411px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9254\" class=\"wp-image-9254 size-full\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-viyana-franz-xaver-messerschmidt-kafa-derlemeleri-koleksiyonu-www.muratcangumus.com_.jpg\" alt=\"Belvedere Saray\u0131\" width=\"401\" height=\"600\" \/><p id=\"caption-attachment-9254\" class=\"wp-caption-text\">Franz Xaver Messerschmidt’e ait ‘Charakter Heads’ isimli koleksiyonu,\u00a0Yukar\u0131 Belvedere Saray\u0131. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, Temmuz 2020<\/p><\/div>\n<p>Heykeltra\u015f Franz Xaver Messerschmidt, s\u0131radan bir ailenin ferdi olarak Schwaben’de (G\u00fcneybat\u0131 Almanya) d\u00fcnyaya gelir ve heykeltra\u015fl\u0131\u011f\u0131 M\u00fcnih’te amcas\u0131ndan \u00f6\u011frenir. Viyana’daki e\u011fitimin ard\u0131ndan imparatorlu\u011fun hizmetine girer ve ald\u0131\u011f\u0131 ilk b\u00fcy\u00fck g\u00f6rev Maria Theresia ve e\u015fi -Lorraine soyundan- \u0130mparator I. Franz’\u0131n (Stephan) b\u00fcstlerini yapmak olur. 1770 civarlar\u0131nda ge\u00e7irdi\u011fi ki\u015fisel krizle beraber radikelle\u015fen\u00a0i\u015f ve\u00a0ya\u015fam ko\u015fullar\u0131n\u0131n bir neticesi olarak en \u00fcnl\u00fc koleksiyonu olan ‘Character Heads’ ortaya \u00e7\u0131kar <sup><a href=\"#Kaynakca\">[15]<\/a><\/sup>.<\/p>\n<div class=\"wps-shortcode-wrapper wps-alert wps-alert-primary\" id=\"wps-alert\">Ki\u015fisel krizin sebebi \u015fahsa 1760’larda Viyana G\u00fczel Sanatlar Akademisi’nde (Akademie der bildenden K\u00fcnste Wien)\u00a0bir profes\u00f6rl\u00fck k\u00fcrs\u00fcs\u00fc verilmesi s\u00f6z\u00fcn\u00fcn, daha sonralar\u0131 Kaunitz’in itirazlar\u0131 sonucu onaylanmam\u0131\u015f olmas\u0131, i\u015f verenlerini kaybetmesi ve ge\u00e7irdi\u011fi (psikolojik?) hastal\u0131kt\u0131r. Kaynak: de.wikipedia.org\/wiki\/franz_xaver_messerschmidt.<\/div>\n<div id=\"attachment_9255\" style=\"width: 411px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9255\" class=\"wp-image-9255 size-full\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-viyana-franz-xaver-messerschmidt-kafa-derlemeleri-koleksiyonu-1-www.muratcangumus.com_.jpg\" alt=\"Belvedere Saray\u0131\" width=\"401\" height=\"600\" \/><p id=\"caption-attachment-9255\" class=\"wp-caption-text\">Yukar\u0131 Belvedere Saray\u0131 Franz Xaver Messerschmidt’in ‘Charakter Heads’ isimli koleksiyonu. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, Temmuz 2020<\/p><\/div>\n<p>Franz Xaver Messerschmidt, ‘portreler’ olarak nitelendirdi\u011fi eserlerinden toplamda 69 adet icra etmi\u015ftir. Bunlardan 16 tanesiyle Belvedere Saray\u0131 bu alanda d\u00fcnya \u00fczerindeki en b\u00fcy\u00fck koleksiyona ev sahipli\u011fi yapmaktad\u0131r. Yine ayn\u0131 \u015fekilde geriye kalan di\u011fer eserlerin bir\u00e7o\u011funun al\u00e7\u0131dan yap\u0131lan kopyalar\u0131 envanterde bulunmaktad\u0131r\u00a0<sup><a href=\"#Kaynakca\">[15]<\/a><\/sup>.<\/p>\n<p> <\/p>\n<h3>Dini resimler\u00a0<\/h3>\n<p>Mermer Salon’da y\u00fcz\u00fcn\u00fcz\u00fc pencerelere verip sol tarafa do\u011fru y\u00fcr\u00fcd\u00fc\u011f\u00fcn\u00fcz vakit, Prens Eugen taraf\u0131ndan Yukar\u0131 Belvedere Saray\u0131’n\u0131n yemek odas\u0131 olarak kullan\u0131lan b\u00f6l\u00fcm\u00fcne geleceksinizdir. Burada Barok d\u00f6neminin Avusturya’da meydana \u00e7\u0131kt\u0131\u011f\u0131 ve geli\u015fti\u011fi d\u00f6nemlere ait\u00a0eserler bulunmaktad\u0131r.<\/p>\n<p>Kiliseleri, manast\u0131rlar\u0131 ve saraylar\u0131 s\u00fcslemeleri amac\u0131yla ortaya konulan dini eserler, Barok resim sanat\u0131 alan\u0131nda en \u00f6nemli yere sahip olanlar\u0131yd\u0131.<\/p>\n<div id=\"attachment_9285\" style=\"width: 810px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9285\" class=\"wp-image-9285 size-large\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-sanat-koleksiyonu-barok-www.muratcangumus.com_-800x520.jpg\" alt=\"Belvedere Saray\u0131\" width=\"800\" height=\"520\" srcset=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-sanat-koleksiyonu-barok-www.muratcangumus.com_.jpg 800w, https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-sanat-koleksiyonu-barok-www.muratcangumus.com_-768x499.jpg 768w, https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-sanat-koleksiyonu-barok-www.muratcangumus.com_-340x220.jpg 340w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><p id=\"caption-attachment-9285\" class=\"wp-caption-text\">Yukar\u0131 Belvedere Saray\u0131 sanat koleksiyonu – Barok d\u00f6nemi dini eserler. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, Eyl\u00fcl 2018<\/p><\/div>\n<p>Johann Michael Rottmayr, Martino Altomonte, Paul Troger, Franz Anton Maulbertsch ve Kremser Schmidt’in eserleri, Belvedere envanterindeki ba\u015f yap\u0131tlar aras\u0131nda g\u00f6sterilir\u00a0<sup><a href=\"#Kaynakca\">[1]<\/a><\/sup>.<\/p>\n<div id=\"attachment_9290\" style=\"width: 810px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9290\" class=\"wp-image-9290 size-large\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-sanat-koleksiyonu-barok-donemi-dini-sanat-www.muratcangumus.com_-800x533.jpg\" alt=\"Belvedere Saray\u0131\" width=\"800\" height=\"533\" srcset=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-sanat-koleksiyonu-barok-donemi-dini-sanat-www.muratcangumus.com_.jpg 800w, https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-sanat-koleksiyonu-barok-donemi-dini-sanat-www.muratcangumus.com_-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><p id=\"caption-attachment-9290\" class=\"wp-caption-text\">Yukar\u0131 Belvedere Saray\u0131 sanat koleksiyonu – Barok d\u00f6nemi dini eserler. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, Temmuz 2020<\/p><\/div>\n<p>Yukar\u0131 foto\u011frafta sol tarafta g\u00f6rd\u00fc\u011f\u00fcn\u00fcz ah\u015fap yontma heykel Kutsal \u015eehit Sebastiyan (Der heilige Sebastian), sa\u011fdaki ise Aziz Roch’a (St. Roch) atfedilmi\u015flerdir.<\/p>\n<div class=\"wps-shortcode-wrapper wps-alert wps-alert-primary\" id=\"wps-alert\">Yemek sonras\u0131 hemen yan tarafta bulunan b\u00f6l\u00fcme, kahve odas\u0131na ge\u00e7ilirdi. Saray\u0131n yap\u0131ld\u0131\u011f\u0131 d\u00f6nem kahve bir l\u00fcks i\u00e7ecek olmakla beraber, bu ayr\u0131cal\u0131\u011fa sahip olanlardan biri olan Prens Eugen, yine ayn\u0131 zamanda sadece bu i\u015f i\u00e7in saray\u0131nda ayr\u0131 bir b\u00f6l\u00fcm yapt\u0131rm\u0131\u015ft\u0131 da.<\/p>\n<p><div id=\"attachment_9840\" style=\"width: 810px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9840\" class=\"wp-image-9840 size-large\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2019\/01\/yukari-belvedere-sarayi-kahve-salonu-www.muratcangumus.com_-800x587.jpg\" alt=\"Belvedere Saray\u0131\" width=\"800\" height=\"587\" srcset=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2019\/01\/yukari-belvedere-sarayi-kahve-salonu-www.muratcangumus.com_.jpg 800w, https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2019\/01\/yukari-belvedere-sarayi-kahve-salonu-www.muratcangumus.com_-768x564.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><p id=\"caption-attachment-9840\" class=\"wp-caption-text\">Prens Eugen’in kahve salonu. Salomon Kleiner. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, Yukar\u0131 Belvedere Saray\u0131, A\u011fustos 2020<\/p><\/div><\/p>\n<p>Avusturya UNESCO Komisyonu taraf\u0131ndan\u00a02011 senesinde Avusturya\u2019n\u0131n Manevi K\u00fclt\u00fcr Miras\u0131 Listesi\u2019ne al\u0131nan Viyana\u2019n\u0131n kafe k\u00fclt\u00fcr\u00fc\u00a0ve bu k\u00fclt\u00fcr\u00fcn Viyana\u2019ya geli\u015finin <span style=\"text-decoration: underline;\"><span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/www.muratcangumus.com\/viyana-kusatmasi\" target=\"_blank\" rel=\"noopener\"><strong>II. Viyana Ku\u015fatmas\u0131<\/strong><\/a><\/span><\/span> ve doy\u0131s\u0131yla T\u00fcrklerle olan ba\u011flar\u0131<strong>,\u00a0<\/strong>\u015fehrin en tan\u0131d\u0131k bilindik baz\u0131\u00a0tarihi Viyana kafeleri\u00a0ve bu kafelerde bulabilece\u011finiz kahve \u00e7e\u015fitleri \u00fczerine detayl\u0131ca bilgileri\u00a0<span style=\"text-decoration: underline; color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/www.muratcangumus.com\/viyana-kafeleri\" target=\"_blank\" rel=\"noopener\"><strong>Viyana kafeleri<\/strong><\/a><\/span>\u00a0ba\u015fl\u0131kl\u0131 yaz\u0131mda bulabilirsiniz.<\/p>\n<p><\/div>\n<p> <\/p>\n<h3>Manzara resimleri (Landschaftsmalerei)<\/h3>\n<p>Prens Eugen kart oyunlar\u0131 tutkunu bir \u015fah\u0131s olarak bilinirdi ve saray\u0131nda bir salonu sadece bu ama\u00e7la kullanmaktayd\u0131. S\u00f6z konusu manzara resimleri saray\u0131n oyun odas\u0131nda (Spielzimmer) bulunmaktad\u0131r.<\/p>\n<div id=\"attachment_9279\" style=\"width: 810px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9279\" class=\"wp-image-9279 size-large\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/laxenburg-sarayi-manzarasi-johann-christian-brand_www.muratcangumus.com_-800x570.jpg\" alt=\"Belvedere Saray\u0131\" width=\"800\" height=\"570\" srcset=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/laxenburg-sarayi-manzarasi-johann-christian-brand_www.muratcangumus.com_.jpg 800w, https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/laxenburg-sarayi-manzarasi-johann-christian-brand_www.muratcangumus.com_-768x547.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><p id=\"caption-attachment-9279\" class=\"wp-caption-text\">Yukar\u0131 Belvedere Saray\u0131 sanat koleksiyonu – Johann Christian Brand. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, Temmuz 2020<\/p><\/div>\n<p>Johann Christian Brand’\u0131n 18. yy.’\u0131n ikinci yar\u0131s\u0131nda ortaya koydu\u011fu Laxenburg \u015eatosu \u00e7evresindeki tepelerle dolu manzara resmi ise bu alandaki en \u00f6nemli eserdir.<\/p>\n<p> <\/p>\n<h2>Klasisizm\u00a0(Klassizismus) – Kuralc\u0131l\u0131k\u00a0<sup><a href=\"#Kaynakca\">[1],\u00a0<\/a><a href=\"#Kaynakca\">[22]<\/a><\/sup><\/h2>\n<p>18. yy.’\u0131n ortalar\u0131ndan itibaren Roma ve Pompei’de g\u00fcn y\u00fcz\u00fcne \u00e7\u0131kar\u0131lan antik d\u00f6neme ait resimlerin incelenmesi, Avrupa’ya hakim olacak sanat ak\u0131m\u0131 ‘Klasisizm’i \u015fekillendirir.\u00a0Bu d\u00f6nemin sanatsal\u00a0 ifade bi\u00e7imi Antik Yunan ve Antik Roma’dan ilham al\u0131r. Klasizm; \u00f6l\u00e7\u00fc,\u00a0\u0131\u015f\u0131k ve g\u00f6lge b\u00fct\u00fcnl\u00fc\u011f\u00fc, kompozisyon ve perspektif gibi kurallara sa\u011fd\u0131k kal\u0131narak ortaya ger\u00e7ek\u00e7i resimler koymay\u0131 hedefleyen bir sanat ak\u0131m\u0131d\u0131r ayn\u0131 zamanda.<\/p>\n<div id=\"attachment_9293\" style=\"width: 343px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9293\" class=\"wp-image-9293 size-full\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-sanat-koleksiyonu-klasisizm-donemi-eserleri-www.muratcangumus.com_.jpg\" alt=\"Belvedere Saray\u0131\" width=\"333\" height=\"500\" \/><p id=\"caption-attachment-9293\" class=\"wp-caption-text\">Yukar\u0131 Belvedere Saray\u0131 sanat koleksiyonu – Klasisizm d\u00f6nemine ait eserler. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, Temmuz 2020<\/p><\/div>\n<p>18. yy.’\u0131n ortalar\u0131ndan itibaren Avrupa’n\u0131n tamam\u0131nda -ve \u00f6zellikle de Viyana’da da- portre sanat\u0131na ait muazzam seviyede eserler ortaya \u00e7\u0131km\u0131\u015ft\u0131r. Avusturyal\u0131 sanat\u00e7\u0131lar \u00fcnl\u00fc \u0130ngiliz portre ressamlar\u0131n\u0131 kendilerine \u00f6rnek al\u0131rlar. D\u00f6nemin en ilgin\u00e7 portreleri ise g\u00fcn\u00fcm\u00fcz itibar\u0131yla pek de tan\u0131nmayan bir ressam olan Viyanal\u0131 Josef Kreutzinger’e aittir.<\/p>\n<div id=\"attachment_9451\" style=\"width: 386px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9451\" class=\"wp-image-9451 size-full\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/yukari-belvedere-sarayi-sanat-koleksiyonu-moritz-christian-reichsgraf-von-fries-aile-resmi-www.muratcangumus.com_.jpg\" alt=\"Belvedere Saray\u0131\" width=\"376\" height=\"500\" \/><p id=\"caption-attachment-9451\" class=\"wp-caption-text\">Yukar\u0131 Belvedere Saray\u0131 sanat koleksiyonu – Klasisizm d\u00f6nemi. Fran\u00e7ois G\u00e9rard imzal\u0131 eser. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, A\u011fustos 2020<\/p><\/div>\n<p>Avrupal\u0131 portre sanat\u0131n\u0131n \u00f6nc\u00fcleri ise \u015f\u00fcphesiz Fransa’dan \u00e7\u0131km\u0131\u015flard\u0131r. Viyanal\u0131 Moritz Christian Reichsgraf von Fries, e\u015fi ve \u00e7ocu\u011fuyla beraber 1804 y\u0131l\u0131ndaki Paris ziyaretleri esnas\u0131nda d\u00f6nemin en \u00fcnl\u00fc portre ustas\u0131 Fran\u00e7ois G\u00e9rard’a poz verirler. Daha sonralar\u0131 Belvedere b\u00fcnyesine kat\u0131lan bu eser, \u00e2deta bir kameradan \u00e7\u0131km\u0131\u015f bir foto\u011frafm\u0131\u015fcas\u0131na netli\u011fi ve s\u0131rad\u0131\u015f\u0131 \u0131\u015f\u0131k ve g\u00f6lge b\u00fct\u00fcnl\u00fc\u011f\u00fcyle dikkat \u00e7ekmektedir.<\/p>\n<p>Frans\u0131z ressam Jacques-Louis David, Fransa’da Klasisizm’in temsilcisi olarak kabul edilir. Kendisi ayn\u0131 zamanda Napolyon’un resm\u00ee ressam\u0131 olarak g\u00f6rev yapm\u0131\u015ft\u0131r. Bir sonraki a\u015famada Lombardei’i i\u015fgal etmek \u00fczere- St. Bernhard’ta d\u00fczenledi\u011fi seferin an\u0131s\u0131na \u015faha kalkm\u0131\u015f at\u0131n\u0131n s\u0131rt\u0131nda Napolyon’u resmetmi\u015ftir. Yine bu eser de Yukar\u0131 Belvedere Saray\u0131 koleksiyonunda bulunmaktad\u0131r.<\/p>\n<p> <\/p>\n<h2>Biedermeier Romantizm (Romantik)<\/h2>\n<p>1814\/15 Wiener Kongresi ve Avrupa\u2019n\u0131n b\u00fcy\u00fck bir k\u0131sm\u0131n\u0131 etkisi alt\u0131na alan -ve\u00a0<strong>Viyana<\/strong>\u2018da da kendisine taraftar bulan- devrimlerin ya\u015fand\u0131\u011f\u0131 1848 y\u0131llar\u0131 aras\u0131nda Almanya ve Avusturya’da etkisini g\u00f6steren bir sanat ak\u0131m\u0131d\u0131r, Biedermeier.<\/p>\n<div id=\"attachment_9511\" style=\"width: 413px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9511\" class=\"wp-image-9511 size-full\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2020\/09\/belvedere-sarayi-sanat-koleksiyonu-biedermeier-okuyan-kiz-lesendes-maedchen-www.muratcangumus.com_.jpg\" alt=\"Belvedere Saray\u0131\" width=\"403\" height=\"500\" \/><p id=\"caption-attachment-9511\" class=\"wp-caption-text\">Yukar\u0131 Belvedere Saray\u0131 sanat koleksiyonlar\u0131 – Biedermeier. ‘Okuyan K\u0131z’, Franz Eybl. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, A\u011fustos 2020<\/p><\/div>\n<p>1789 Frans\u0131z \u0130htilali ile beraber burjuvazi de ilk defa siyasi ve k\u00fclt\u00fcrel sahnede boy g\u00f6sterir. D\u00f6nemin sanat eserlerinin m\u00fc\u015fterileri de art\u0131k sadece \u0130mparatorluk Saray\u0131, Kilise ve de soylu s\u0131n\u0131f\u0131 de\u011fil, ayn\u0131 zamanda varl\u0131kl\u0131 burjuvazidir de. S\u00f6z konusu eserlerin ebatlar\u0131 da yeni m\u00fc\u015fterilerine uyum sa\u011flayarak daha k\u00fc\u00e7\u00fck formata b\u00fcr\u00fcn\u00fcrken, resimlerde i\u015flenen konular ise a\u011f\u0131rl\u0131kl\u0131 olarak yine burjuvaziden ilham al\u0131r. Aile fertlerini hep bir arada g\u00f6steren tablolar hanelerin ayr\u0131lmaz par\u00e7alar\u0131 aras\u0131na kat\u0131l\u0131rlar.<\/p>\n<div id=\"attachment_9531\" style=\"width: 344px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9531\" class=\"wp-image-9531 size-full\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2020\/09\/belvedere-sarayi-sanat-koleksiyonu-biedermeier-caspar-david-friedrich-www.muratcangumus.com_.jpg\" alt=\"Belvedere Saray\u0131\" width=\"334\" height=\"500\" \/><p id=\"caption-attachment-9531\" class=\"wp-caption-text\">Yukar\u0131 Belvedere Saray\u0131 sanat koleksiyonlar\u0131 – Biedermeier. ‘Jacquin an\u0131t\u0131’, Johann Knapp. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, A\u011fustos 2020<\/p><\/div>\n<p>Okuyan ve uyuyan insan tablolar\u0131 da d\u00f6nemin ilgi \u00e7eken eserleri aras\u0131nda bulunmaktad\u0131rlar.<\/p>\n<p> <\/p>\n<h2>Empresyonizm (Impressionismus)\u00a0– \u0130zlenimcilik<\/h2>\n<p>Bir grup ressam\u0131n Paris’te a\u00e7t\u0131klar\u0131 sergiyi ziyaret eden bir ele\u015ftirmenin g\u00f6rd\u00fcklerini ‘acizlik’ olarak nitelendirmek amac\u0131yla kulland\u0131\u011f\u0131 bir tabir, “Empresyonistler”.<\/p>\n<p>Empressiyonizme ait eserler g\u00fcndelik hayat\u0131n i\u00e7inden anlar\u0131 i\u015flemekle beraber \u00e7ok az detaya yer vermekteydiler. B\u0131rak\u0131lan belirgin f\u0131r\u00e7a darbeleri ve saf halleriyle kullan\u0131lan renkler izleyiciler \u00fczerinde tamamlanmam\u0131\u015f etkisi b\u0131rakmaktayd\u0131lar\u00a0<sup><a href=\"#Kaynakca\">[22]<\/a><\/sup>.<\/p>\n<div id=\"attachment_9527\" style=\"width: 415px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9527\" class=\"wp-image-9527 size-full\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2020\/09\/belvedere-sarayi-sanat-koleksiyonu-empresyonizm-asci-claude-monet-www.muratcangumus.com_.jpg\" alt=\"Belvedere Saray\u0131\" width=\"405\" height=\"500\" \/><p id=\"caption-attachment-9527\" class=\"wp-caption-text\">Yukar\u0131 Belvedere Saray\u0131 sanat koleksiyonlar\u0131 – Empresyonizm. “A\u015f\u00e7\u0131”, Claude Monet. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, A\u011fustos 2020<\/p><\/div>\n<p>Manzara, nat\u00fcrmort ve portre \u00e7al\u0131\u015fmalar\u0131n\u0131n yan\u0131 s\u0131ra modern hayattan kesitleri de resmeden Empresyonistler, ald\u0131klar\u0131 t\u00fcm akademik e\u011fitimi reddederek tablolar\u0131nda detaylar\u0131 titizlikle i\u015flemek yerine \u0131\u015f\u0131\u011f\u0131n etkilerini e\u015f zamanl\u0131 olarak ana hatlar\u0131yla vurgulamak ve g\u00f6rd\u00fcklerini nesnel y\u00f6ntemlerle resmetmeye dayanan bir tarza sahiplerdi\u00a0<sup><a href=\"#Kaynakca\">[22]<\/a><\/sup>.<\/p>\n<div id=\"attachment_9528\" style=\"width: 810px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9528\" class=\"wp-image-9528 size-large\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2020\/09\/belvedere-sarayi-sanat-koleksiyonu-empresyonizm-monetin-bahcesindeki-yol-www.muratcangumus.com_-800x773.jpg\" alt=\"Belvedere Saray\u0131\" width=\"800\" height=\"773\" srcset=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2020\/09\/belvedere-sarayi-sanat-koleksiyonu-empresyonizm-monetin-bahcesindeki-yol-www.muratcangumus.com_.jpg 800w, https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2020\/09\/belvedere-sarayi-sanat-koleksiyonu-empresyonizm-monetin-bahcesindeki-yol-www.muratcangumus.com_-768x742.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><p id=\"caption-attachment-9528\" class=\"wp-caption-text\">Yukar\u0131 Belvedere Saray\u0131 sanat koleksiyonlar\u0131 – Empresyonizm. “Monet’in bah\u00e7esindeki yol”, Claude Monet. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, A\u011fustos 2020<\/p><\/div>\n<p>Claude Monet’e ait “A\u015f\u00e7\u0131” (Der Koch – Monsieur Paul) ve yine ayn\u0131 \u015fahs\u0131n Giverny’de bulunan bah\u00e7esinden manzaralar sunan serinin bir par\u00e7as\u0131 olan ‘Monet’in bah\u00e7esindeki yol’ isimli \u00e7al\u0131\u015fmalar\u0131\u00a0Belvedere Saray\u0131 sanat koleksiyonlar\u0131nda bulunan Empresyonizm ak\u0131m\u0131na ait de\u011ferli eserler aras\u0131nda bulunmaktad\u0131rlar <sup><a href=\"#Kaynakca\">[1]<\/a><\/sup>.<\/p>\n<p> <\/p>\n<h2>Tarihselcilik (Historismus)\u00a0<sup><a href=\"#Kaynakca\">[1]<\/a><\/sup><\/h2>\n<p>\u0130mparatorlu\u011fun ba\u015fkenti Viyana’n\u0131n geni\u015flemesi Ring Bulvar\u0131’n\u0131n (Ringstra\u00dfe) yap\u0131m\u0131yla doruk noktas\u0131na ula\u015fm\u0131\u015f, bulvar \u00fczerinde yap\u0131lan saray, opera, m\u00fcze, tiyatro ve sanat akademisi vb. kamuya ait binalar\u0131n lay\u0131k\u0131yla donat\u0131lma ihtiyac\u0131 do\u011fmu\u015ftu. Yine ayn\u0131 \u015fekilde \u00f6rne\u011fin Hofburg Saray\u0131 b\u00fcnyesinde yer alan Kahramanlar Meydan\u0131’nda (Heldenplatz) dikilen at s\u0131rt\u0131ndaki Prens Eugen’in heykeli misali tarihselcilik konulu heykeller meydanlarda boy g\u00f6stermeye ba\u015flam\u0131\u015ft\u0131r. Bu heykellerin k\u00fc\u00e7\u00fck \u00f6l\u00e7ekli modelleri Belvedere Saray\u0131’nda sergilenmektedirler.<\/p>\n<p>Bu sanat ak\u0131m\u0131na 1870’ler ve 1880’li y\u0131llarda Salzburglu ressam Hans Makart \u00f6nc\u00fcl\u00fck etmi\u015ftir. Bayan portreleri konusunda usta bir isim olan Makart, modellerini tarihsel kost\u00fcmler i\u00e7erisinde resmeder.<\/p>\n<p>Makart’\u0131n \u00f6l\u00fcm\u00fcnden sonra gen\u00e7 Gustav Klimt, karde\u015fi Ernst Klimt ve akademiden arkada\u015flar\u0131 Franz von Matsch ortak bir at\u00f6lye kurarak gerek Viyana gerekse de Monar\u015fi’nin farkl\u0131 b\u00f6lgelerinde tiyatrolar i\u00e7in Makart tarz\u0131nda dekorasyon i\u015flemleri ger\u00e7ekle\u015ftirirler.<\/p>\n<p>Makart d\u00f6neminde Heidelbergli Ressam Anselm Feuerbach 1871 y\u0131l\u0131nda Viyana G\u00fczel Sanatlar Akademisi’ne (Wiener Akademie der bildenden K\u00fcnste) profes\u00f6r olarak atan\u0131r. Makart ile z\u0131t d\u00fcnyalar\u0131n insanlar\u0131 olarak Feuerbach, akademik klasik resim sanat\u0131n\u0131n temsilcisidir.<\/p>\n<div id=\"attachment_9514\" style=\"width: 810px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9514\" class=\"wp-image-9514 size-large\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2020\/09\/yukari-belvedere-sarayi-sanat-koleksiyonlari-kahirede-pazar-yeri-leopold-carl-muller-www.muratcangumus.com_-800x501.jpg\" alt=\"Belvedere Saray\u0131\" width=\"800\" height=\"501\" srcset=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2020\/09\/yukari-belvedere-sarayi-sanat-koleksiyonlari-kahirede-pazar-yeri-leopold-carl-muller-www.muratcangumus.com_.jpg 800w, https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2020\/09\/yukari-belvedere-sarayi-sanat-koleksiyonlari-kahirede-pazar-yeri-leopold-carl-muller-www.muratcangumus.com_-768x481.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><p id=\"caption-attachment-9514\" class=\"wp-caption-text\">Yukar\u0131 Belvedere Saray\u0131 sanat koleksiyonlar\u0131 – Tarihselcilik d\u00f6nemi. “Kahire’de bir pazar”, Leopold Carl M\u00fcller. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, A\u011fustos 2020<\/p><\/div>\n<p>‘M\u0131s\u0131r-ressam\u0131’ olarak tabir edilen Leopold Carl M\u00fcller’in Kahire’de bir pazar\u0131 konu alan tablosu gibi oryantal resim sanat\u0131na ait eserler de d\u00f6nemin ilgi \u00e7eken bir di\u011fer a\u011f\u0131rl\u0131k noktas\u0131n\u0131 olu\u015fturur.<\/p>\n<p> <\/p>\n<h2>1900’lerde Viyana Sanat\u0131 (Wiener Kunst um 1900)<\/h2>\n<p>Gerek Avusturya, gerekse de d\u00fcnya genelinde Belvedere Sanat Koleksiyonlar\u0131 i\u00e7erisinde en bilindik olan\u0131 \u015f\u00fcphesiz ki “1900’lerde Viyana’da Sanat” isimli b\u00f6l\u00fcm ve burada bulunan Gustav Klimt men\u015feli eserlerdir.<\/p>\n<div id=\"attachment_9321\" style=\"width: 810px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9321\" class=\"wp-image-9321 size-large\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-gustav-klimt-koleksiyonu-www.muratcangumus.com_-800x533.jpg\" alt=\"Belvedere Saray\u0131\" width=\"800\" height=\"533\" srcset=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-gustav-klimt-koleksiyonu-www.muratcangumus.com_.jpg 800w, https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-gustav-klimt-koleksiyonu-www.muratcangumus.com_-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><p id=\"caption-attachment-9321\" class=\"wp-caption-text\">Gustav Klimt koleksiyonu, Yukar\u0131 Belvedere Saray\u0131. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, Eyl\u00fcl 2018<\/p><\/div>\n<p>Sezesyonizm, Viyana Sezesyonu (Secession) sanat\u00e7\u0131lar\u0131 taraf\u0131ndan ba\u015flat\u0131lan ve Art Nouvea’nun lokal bir bi\u00e7imini uygulamay\u0131 esas alan bir ak\u0131md\u0131 <sup><a href=\"#Kaynakca\">[22]<\/a><\/sup>.<\/p>\n<p>1897 y\u0131l\u0131nda kurulan “Vereinigung bildender K\u00fcnstler \u00d6sterreichs Secession” taraf\u0131ndan d\u00fczenlenen sergilerde bir\u00e7ok yerli ve yabanc\u0131 sanat\u00e7\u0131n\u0131n tablolar\u0131 sat\u0131n al\u0131narak, bir modern sanatlar m\u00fczesi olu\u015fturma y\u00f6n\u00fcnde ilk ad\u0131mlar at\u0131l\u0131r. Hodler’in ‘Ergriffenheit’, Vincen van Gogh’un ‘Ebene von Auvers’ isimli eserleri de bu sat\u0131n alma i\u015flemleri neticesinde g\u00fcn\u00fcm\u00fcz Belvedere sanat koleksiyonlar\u0131 aras\u0131nda bulunmaktad\u0131rlar <sup><a href=\"#Kaynakca\">[1]<\/a><\/sup>. Gustav Klimt, Secession’un ilk ba\u015fkan\u0131 olur.<\/p>\n<p>Secession’un genel prensibi, ziyaret\u00e7ilerine, yerli ustal\u0131k eserlerininin yan\u0131 s\u0131ra van Gogh, Liebermann, Monet, Jawlensky, Nolde vb. gibi usta uluslararas\u0131 sanat\u00e7\u0131lar\u0131n eserlerini de de\u011ferlendirme f\u0131rsat\u0131n\u0131 sunarak, Avusturya sanat\u0131n\u0131 uluslaras\u0131 sanatla b\u00fct\u00fcnle\u015ftirmektir.<\/p>\n<div id=\"attachment_9561\" style=\"width: 364px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9561\" class=\"wp-image-9561 size-full\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2020\/09\/belvedere-sarayi-koleksiyonlari-opucuk-der-kuss-gustav-klimt-www.muratcangumus.com_.jpg\" alt=\"Belvedere Saray\u0131\" width=\"354\" height=\"500\" \/><p id=\"caption-attachment-9561\" class=\"wp-caption-text\">Gustav Klimt’in 1908 tarihli “\u00d6p\u00fcc\u00fck”\u00a0(Der Kuss) isimli, en tan\u0131nm\u0131\u015f eseri. Belvedere Saray\u0131. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, Eyl\u00fcl 2018<\/p><\/div>\n<p>Belvedere Saray\u0131 sanat koleksiyonlar\u0131nda bulunan eserlerin d\u00fcnya \u00e7ap\u0131nda en tan\u0131nm\u0131\u015f olan\u0131 Gustav Klimt’in “\u00d6p\u00fcc\u00fck” (Almanca: Der Kuss) isimli \u00e7al\u0131\u015fmas\u0131d\u0131r.<\/p>\n<p>Gustav Klimt’in “\u00d6p\u00fcc\u00fck” isimli tablosuna bir de Khan Academy’nin T\u00fcrk\u00e7e olarak haz\u0131rlad\u0131\u011f\u0131 videoda anlat\u0131lanlar\u0131n g\u00f6z\u00fcnden bakmak isteyenler i\u00e7in videonun ba\u011flant\u0131s\u0131n\u0131 buraya b\u0131rakal\u0131m:<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/UKhEnNX1k6g\" width=\"800\" height=\"450\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<div class=\"wps-shortcode-wrapper wps-alert wps-alert-primary\" id=\"wps-alert\">Bu b\u00f6l\u00fcmde bulunan eserler ba\u015fl\u0131 ba\u015f\u0131na bir yaz\u0131 konusu oldu\u011fundan daha fazla detaya girmiyorum. Yak\u0131nda “Secession” ba\u015fl\u0131kl\u0131 yeni bir yaz\u0131da gerek Sezesyonizm gerekse de bu ak\u0131m\u0131 ba\u015flatan sanat\u00e7\u0131lar\u0131n Belvedere Saray\u0131 sanat koleksiyonlar\u0131 b\u00fcnyesinde yer alan eserleri hakk\u0131nda detayl\u0131ca bahsedece\u011fiz.<\/div>\n<div id=\"attachment_9296\" style=\"width: 810px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9296\" class=\"wp-image-9296 size-large\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-sanat-koleksiyonu-egon-schiele-www.muratcangumus.com_-800x533.jpg\" alt=\"Belvedere Saray\u0131\" width=\"800\" height=\"533\" srcset=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-sanat-koleksiyonu-egon-schiele-www.muratcangumus.com_.jpg 800w, https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-sanat-koleksiyonu-egon-schiele-www.muratcangumus.com_-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><p id=\"caption-attachment-9296\" class=\"wp-caption-text\">Belvedere Saray\u0131 sanat koleksiyonu. Egon Schiele eserleri. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, Eyl\u00fcl 2018<\/p><\/div>\n<p>Egon Schiele – Aile<\/p>\n<div id=\"attachment_9519\" style=\"width: 810px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9519\" class=\"wp-image-9519 size-large\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2020\/09\/belvedere-sarayi-sanat-koleksiyonu-egon-schiele-aile-www.muratcangumus.com_-800x744.jpg\" alt=\"Belvedere Saray\u0131\" width=\"800\" height=\"744\" srcset=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2020\/09\/belvedere-sarayi-sanat-koleksiyonu-egon-schiele-aile-www.muratcangumus.com_.jpg 800w, https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2020\/09\/belvedere-sarayi-sanat-koleksiyonu-egon-schiele-aile-www.muratcangumus.com_-768x714.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><p id=\"caption-attachment-9519\" class=\"wp-caption-text\">Belvedere Saray\u0131 sanat koleksiyonlar\u0131 – Egon Schile eserleri. ‘Aile’, Egon Schiele. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, A\u011fustos 2020<\/p><\/div>\n<p>Not: Belvedere Saray\u0131 sanat koleksiyonlar\u0131nda bulunan 120 eser hakk\u0131nda detayl\u0131 bilgilere\u00a0https:\/\/www.belvedere.at\/digital-start ba\u011flant\u0131s\u0131ndan indirebilece\u011finiz\u00a0<span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/www.belvedere.at\/digital-start\" target=\"_blank\" rel=\"noopener\">cep telefonu uygulamas\u0131 (app)<\/a><\/span> vas\u0131tas\u0131yla ula\u015fabilirsiniz.<\/p>\n<p> <\/p>\n<h2 id=\"asagibelvedere\">A\u015fa\u011f\u0131 Belvedere\u00a0Saray\u0131<\/h2>\n<div id=\"attachment_9156\" style=\"width: 810px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9156\" class=\"wp-image-9156 size-large\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/asagi-belvedere-sarayi-dis-gorunus-viyana-www.muratcangumus.com_-800x501.jpg\" alt=\"Belvedere Saray\u0131\" width=\"800\" height=\"501\" srcset=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/asagi-belvedere-sarayi-dis-gorunus-viyana-www.muratcangumus.com_.jpg 800w, https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/asagi-belvedere-sarayi-dis-gorunus-viyana-www.muratcangumus.com_-768x481.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><p id=\"caption-attachment-9156\" class=\"wp-caption-text\">A\u015fa\u011f\u0131 Belvedere Saray\u0131’n\u0131n Yukar\u0131 Belvedere Saray\u0131’na bakan (g\u00fcney) cephesi. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, Temmuz 2020<\/p><\/div>\n<div class=\"wps-shortcode-wrapper wps-alert wps-alert-primary\" id=\"wps-alert\">A\u015fa\u011f\u0131 Belvedere Saray\u0131 restorasyon \u00e7al\u0131\u015fmalar\u0131 nedeniyle 2021 Yaz\u0131’na kadar ziyarete kapat\u0131lm\u0131\u015ft\u0131r. Foto\u011fraf ar\u015fivimde kalite bak\u0131m\u0131ndan payla\u015fmaya de\u011fer foto\u011fraflar\u0131m olmad\u0131\u011f\u0131ndan, 2021 senesinde yeni foto\u011fraflar \u00e7ekerek yaz\u0131ya eklemeye karar verdim. <\/div>\n<h3>A\u015fa\u011f\u0131 Belvedere Saray\u0131 b\u00f6l\u00fcmleri\u00a0<sup><a href=\"#Kaynakca\">[17]<\/a><\/sup><\/h3>\n<h4>Mermer Salon (Marmorsaal)<\/h4>\n<p>Y\u00fcksekli\u011fi iki kat\u0131 kapsayan Mermer Salon, \u00f6nemli ziyaret\u00e7iler i\u00e7in d\u00fczenlenen g\u00f6steri\u015fli kar\u015f\u0131lama t\u00f6renlerinin yap\u0131ld\u0131\u011f\u0131 bir merkez konumundayd\u0131. Duvar s\u00fcslemeleri Prens Eugen’in kazand\u0131\u011f\u0131 zaferlere vurgu yapmaktad\u0131rlar (Kriegstroph\u00e4en). Apollon’un hayat\u0131ndan kesitler sunan duvarlardaki oval al\u00e7\u0131 r\u00f6lyefler ise Prens Eugen’in d\u00fc\u015f\u00fcnsel (Sch\u00f6ngeistig) yans\u0131malar\u0131d\u0131r.\u00a0<\/p>\n<p>Eugen’in tanr\u0131la\u015ft\u0131r\u0131l\u0131\u015f\u0131n\u0131 (Apotheosis, Almanca: Apotheose) konu alan tavan freski Martino Altomonte taraf\u0131ndan boyanm\u0131\u015ft\u0131r. Habsburg h\u00fck\u00fcmdarlar\u0131 d\u00f6neminde ‘ger\u00e7ek g\u00fcne\u015f’ olarak imparatora at\u0131fta bulunmak \u00fczere sanatta kullan\u0131lan G\u00fcne\u015f Tanr\u0131s\u0131 Apollon, M\u00fczler (edebiyat ve sanat tanr\u0131\u00e7alar\u0131) e\u015fli\u011finde ve arka planda\u00a0hafif parlayan g\u00fcne\u015fle beraber g\u00fcne\u015f arabas\u0131nda (Sonnenwagen) g\u00f6z\u00fckmektedir. B\u00f6ylece g\u00fcne\u015fin do\u011fu\u015fuyla beraber sanat\u0131n ve bilimin \u00e7i\u00e7ek a\u00e7t\u0131\u011f\u0131 yeni ‘bir alt\u0131n g\u00fcn\u00fcn’ ba\u015flang\u0131c\u0131na dikkat \u00e7ekilmek istenmi\u015ftir. Alttaki bulut tabakas\u0131 \u00fczerinde gen\u00e7 bir kahraman olarak \u00e7\u0131plak tasvir edilen\u00a0Prens Eugen’in ba\u015f\u0131na, zafer ve \u015f\u00f6hrete i\u015fareten defne (Lorbeer) yapraklar\u0131yla \u00f6r\u00fcl\u00fc bir ta\u00e7 tak\u0131l\u0131r. Minerva, Fama ve Merk\u00fcr rehberli\u011finde g\u00f6ky\u00fcz\u00fcne y\u00fckseltilir (tanr\u0131la\u015ft\u0131r\u0131l\u0131r). Tavan freskinin ana konusu, Prens Eugen’in 1716 Petervaradin Sava\u015f\u0131’ndaki ba\u015far\u0131lar\u0131d\u0131r.\u00a0\u015eah\u0131sla\u015ft\u0131r\u0131lan h\u00fck\u00fcmdarl\u0131k erdemleriyle, tanr\u0131lar aras\u0131na y\u00fckseltilen Eugen’in resmi tamamlanmaktad\u0131r\u00a0<sup><a href=\"#Kaynakca\">[17],\u00a0<\/a><a href=\"#Kaynakca\">[18]<\/a><\/sup>.\u00a0<\/p>\n<p>Halk aras\u0131nda “Donnerbrunnen” (Brunnen = Havuz) olarak tabir edilen,\u00a0Viyana’n\u0131n birinci b\u00f6lgesinde (1. Bezirk), Neuer Markt’ta (Yeni Pazar) bir havuz bulunmaktad\u0131r. Bu havuzu s\u00fcsleyen eserlerin sahibi Barok d\u00f6nemi heykeltra\u015f\u0131 Georg Raphael Donner’d\u0131r. 1921 y\u0131l\u0131nda Viyana Belediyesi taraf\u0131ndan A\u015fa\u011f\u0131 Belvedere Saray\u0131’na \u00f6d\u00fcn\u00e7 olarak verilen, kur\u015fundan (Blei) yap\u0131lm\u0131\u015f bir heykel grubu, g\u00fcn\u00fcm\u00fcz itibar\u0131yla\u00a0Mermer Salon’un merkezinde sergilenmektedirler.\u00a0Yukar\u0131da bahsetti\u011fimiz havuzu s\u00fcsleyen heykeller grubu ise Mermer Salon’da bulunan orjinallerinin bronzdan yap\u0131lm\u0131\u015f kopyalar\u0131d\u0131r\u00a0<sup><a href=\"#Kaynakca\">[16]<\/a><\/sup>.<\/p>\n<p> <\/p>\n<h4>Mermer Galeri (Marmorgalerie)<\/h4>\n<p>Buras\u0131 sakl\u0131 bah\u00e7eye direkt \u00e7\u0131k\u0131\u015f\u0131 bulunan ve Mermer Salon misali Prens Eugen taraf\u0131ndan temsil salonu (Repr\u00e4sentationsraum) olarak kullan\u0131lan bir b\u00f6l\u00fcmd\u00fc.<\/p>\n<p>Al\u00e7\u0131 duvar s\u00fcslemeleri Prens Eugen’in sava\u015f meydanlar\u0131ndaki zaferlerini konu almakla beraber, sava\u015f ganimetleri (Kriegstroph\u00e4en) ekseninde d\u00f6nmektedirler.<\/p>\n<p>Tavandaki r\u00f6lyeflerde ise\u00a0tanr\u0131la\u015ft\u0131r\u0131lan (apotheosis, Almanca: Apotheose) Prens Eugen, bir taraftan ni\u015fan al\u0131rken di\u011fer taraftan da bar\u0131\u015f\u0131n yakla\u015ft\u0131r\u0131l\u0131p, k\u0131skan\u00e7l\u0131k ve nefretin defedili\u015fi ne\u015fredilmi\u015ftir.<\/p>\n<p> <\/p>\n<h4>Grotesk Salonu (Groteskensaal)<\/h4>\n<p>Grotesk,\u00a017. yy.’\u0131n ba\u015flar\u0131nda Viyana’da giri\u015f salonlar\u0131n\u0131n (Sala terrena) ve k\u00fc\u00e7\u00fck bah\u00e7e k\u00f6\u015fklerinin (Gartenpavillon) dekorasyonlar\u0131nda tercih edilen pop\u00fcler bir sanat tarz\u0131yd\u0131.<\/p>\n<div class=\"wps-shortcode-wrapper wps-alert wps-alert-primary\" id=\"wps-alert\">Grotesk; eski\u00e7a\u011f Roma yap\u0131lar\u0131nda bulunan, insan, hayvan ve \u00e7i\u00e7ek fig\u00fcrlerinin g\u00fcl\u00fcn\u00e7 bir bi\u00e7imde birle\u015fmeleri \u015feklinde abart\u0131l\u0131 s\u00fcsleme tarz\u0131na verilen add\u0131r (Kaynak: Google S\u00f6zl\u00fck).<\/div>\n<p>Jonas Drentwett, Grotesk Salonu’nun tavan\u0131n\u0131 boyarken d\u00f6rt mevsimi, k\u00f6\u015felerde ise maddenin d\u00f6rt unsuru olan ate\u015f, toprak, hava ve suyu ortaya koymu\u015ftur.<\/p>\n<p>\u0130\u00e7 (penceresiz) duvarlar\u0131n birindeki “\u00dc\u00e7 G\u00fczeller” (Yunan Mitolojisi: Charis, Roma Mitolojisi: Gratiae) ve bir di\u011ferindeki Vulcan’\u0131n demirci oca\u011f\u0131n\u0131 g\u00f6steren resimler erkek ve di\u015fi rollerinin v\u00fccut bulmu\u015f halleri olarak belirtilmektedirler.<\/p>\n<p> <\/p>\n<h4>Alt\u0131n Salon (Goldkabinett)<\/h4>\n<p>Alt\u0131n renk kaplama ah\u015fap duvar panelleri \u00fczerine yap\u0131lan groteskler, salona u\u00e7suz bucaks\u0131zm\u0131\u015fcas\u0131na bir hava katan aynalar ve \u00c7in porselenleriyle s\u00fcslenen Alt\u0131n Salon, A\u015fa\u011f\u0131 Belvedere Saray\u0131’n\u0131n en zarif, g\u00f6z al\u0131c\u0131 ve de ihti\u015faml\u0131 b\u00f6l\u00fcmlerinden biridir.\u00a0<\/p>\n<p>Buradaki objeler ilk etapta yine Prens Eugen’e ait olan K\u0131\u015fl\u0131k Saray’da kendilerine yer bulmu\u015f,\u00a0\u0130mparatori\u00e7e Maria Theresia d\u00f6nemindeki uyarlama i\u015flemleri neticesinde A\u015fa\u011f\u0131 Belvedere Saray\u0131’na aktar\u0131lm\u0131\u015flard\u0131r.<\/p>\n<p>Alt\u0131n Salon’un 1765 y\u0131l\u0131ndan itibaren bug\u00fcnk\u00fc g\u00f6r\u00fcn\u00fcm\u00fcne kavu\u015fmas\u0131n\u0131n sebebi ise –<span style=\"text-decoration: underline;\"><strong><span style=\"color: #0000ff;\"><a style=\"color: #0000ff; text-decoration: underline;\" href=\"#saraytarihi\">Belvedere Saray\u0131 tarihi<\/a><\/span><\/strong><\/span>nden bahsederken de\u011findi\u011fimiz \u00fczere- Maria Theresia ve e\u015fi I. Franz (Stephan)’\u0131n k\u0131zlar\u0131 Maria Antonia’n\u0131n, Fransa Veliaht\u0131 XVI. Louis ile (siyasal) evliliklerinin \u015ferefine 17 Nisan 1770’de d\u00fczenlenen maskeli balonun A\u015fa\u011f\u0131 Belvedere Saray\u0131’nda ger\u00e7ekle\u015fmi\u015f olmas\u0131d\u0131r. Bu etkinlik; ger\u00e7ekle\u015ftirilen bak\u0131m, onar\u0131m ve g\u00fczelle\u015ftirme \u00e7al\u0131\u015fmalar\u0131 neticesinde mimari anlamda saraya ayr\u0131 bir g\u00fczellik kat\u0131lmas\u0131na meydan vermi\u015ftir. Bu evlilik ise Maria Antonia i\u00e7in pek de i\u00e7 ac\u0131c\u0131 olmayan bir sonun ba\u015flang\u0131c\u0131 olmu\u015ftur.<\/p>\n<p> <\/p>\n<h4 id=\"limonluk\">Limonluk (Orangerie)<\/h4>\n<p>A\u015fa\u011f\u0131 Belvedere Saray\u0131’n\u0131n bir kenar\u0131nda bulunan limonluk, ilk etapta narenciye bitkilerinin yer ald\u0131\u011f\u0131 bir k\u0131\u015f bah\u00e7esi (Wintergarten) olarak hayata ge\u00e7irildi.<\/p>\n<p>G\u00fcney cephesi ve tavan\u0131, iklim \u015fartlar\u0131n\u0131n imk\u00e2n sa\u011flad\u0131klar\u0131 d\u00f6nemlerde a\u00e7\u0131labilmeleri maksad\u0131yla bir s\u00fcrg\u00fcl\u00fc konstr\u00fcksiyondan yap\u0131lm\u0131\u015flard\u0131.<\/p>\n<p>Prens Eugen’in \u00f6l\u00fcm\u00fcnden sonra narenciye bitkileri Sch\u00f6nbrunn Saray\u0131’na aktar\u0131ld\u0131lar, bina ah\u0131r olarak kullan\u0131ld\u0131. 1918 sonras\u0131 modern galerinin bir b\u00f6l\u00fcm\u00fc olarak hizmet verdi. 1952 – 2007 aras\u0131nda Orta\u00e7a\u011f d\u00f6neme ait eserler burada kendilerine yer buldular. Limonluk, 2007 y\u0131l\u0131ndan bu yana modern sanata dair eserlerden olu\u015fan sergilere ev sahipli\u011fi yapmaktad\u0131r.<\/p>\n<p> <\/p>\n<h4>G\u00f6rkemli Saray Ah\u0131rlar\u0131 (Prunkstall)<\/h4>\n<p>Bu bina A\u015fa\u011f\u0131 Belvedere Saray\u0131’ndan fiziken ayr\u0131 bir k\u0131s\u0131m olmakla beraber, ismini bir zamanlarki kullan\u0131m amac\u0131ndan almaktad\u0131r: Prens Eugen’in \u015fahsi atlar\u0131n\u0131n bar\u0131nd\u0131\u011f\u0131 ah\u0131rlardan. G\u00fcn\u00fcm\u00fcz itibar\u0131yla ise burada Orta \u00e7a\u011f d\u00f6nemine ait de\u011ferli sanat koleksiyonlar\u0131 sergilenmektedir.<\/p>\n<p> <\/p>\n<h4>Sakl\u0131 bah\u00e7e (Kammergarten)<\/h4>\n<p>Sakl\u0131 Bah\u00e7e, A\u015fa\u011f\u0131 ve Yukar\u0131 Belvedere saraylar\u0131n\u0131 birbirine ba\u011flayan\u00a0saray bah\u00e7esinden fiziksel olarak ayr\u0131lm\u0131\u015f ve sadece Prens Eugen ve \u00e7ok yak\u0131n \u00e7evresine mahsus bir b\u00f6l\u00fcmd\u00fcr. \u0130ki terastan olu\u015fur.<\/p>\n<p> <\/p>\n<h1 id=\"belvederesarayipratikbilgiler\">Belvedere\u00a0Saray\u0131 hakk\u0131nda pratik bilgiler<\/h1>\n<p>Saray turunuz esnas\u0131nda yorulabilir ve ufak bir mola vermek isteyebilirsiniz.<\/p>\n<div id=\"attachment_9319\" style=\"width: 810px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9319\" class=\"wp-image-9319 size-large\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-kafe-www.muratcangumus.com_-1-800x533.jpg\" alt=\"Belvedere Saray\u0131\" width=\"800\" height=\"533\" srcset=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-kafe-www.muratcangumus.com_-1.jpg 800w, https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2118\/11\/belvedere-sarayi-kafe-www.muratcangumus.com_-1-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><p id=\"caption-attachment-9319\" class=\"wp-caption-text\">Yukar\u0131 Belvedere Saray\u0131 kafesi. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, Eyl\u00fcl 2018.<\/p><\/div>\n<p>Yukar\u0131 Belvedere’in A\u015fa\u011f\u0131 Belvedere Saray\u0131’na bakan kuzeydo\u011fu sekizgen kulesinin giri\u015f kat\u0131nda bulunan kafeye u\u011frayarak bir yorgunluk kahvesi i\u00e7mek isteyebilirsiniz.<\/p>\n<p> <\/p>\n<h2 id=\"yaklasanetkinlikler\">Belvedere\u00a0Saray\u0131\u00a0yakla\u015fan etkinlikler<\/h2>\n<p><span style=\"text-decoration: underline; color: #0000ff;\"><strong><a style=\"color: #0000ff; text-decoration: underline;\" href=\"https:\/\/www.muratcangumus.com\/noel-pazarlari\">Viyana’n\u0131n Noel Pazarlar\u0131<\/a><\/strong><\/span> ba\u015fl\u0131k yaz\u0131mda da belirtildi\u011fi \u00fczere, Almanca’da “Advent<em>“<\/em>\u00a0olarak tabir edilen 30 Kas\u0131m\u2019a en yak\u0131n pazar g\u00fcn\u00fcnden ba\u015flamak \u00fczere Noel \u00f6ncesi son d\u00f6rt pazar g\u00fcn\u00fcn\u00fc kapsayan Noel\u2019e haz\u0131rl\u0131k d\u00f6neminde Viyana’n\u0131n farkl\u0131 b\u00f6lgelerine Noel pazarlar\u0131 kurulur. Bunlardan biri de Yukar\u0131 Belvedere Saray\u0131’n\u0131n g\u00fcney cephesiyle su aynas\u0131 aras\u0131nda bulunan meydana kurulan Noel pazar\u0131d\u0131r.\u00a0<\/p>\n<div id=\"attachment_5106\" style=\"width: 810px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2016\/12\/viyana-noel-pazarlari-belvedere-sarayi-www.muratcangumus.com_.jpeg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-5106\" class=\"wp-image-5106 size-large\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2016\/12\/viyana-noel-pazarlari-belvedere-sarayi-www.muratcangumus.com_-800x533.jpeg\" alt=\"Belvedere Saray\u0131\" width=\"800\" height=\"533\" srcset=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2016\/12\/viyana-noel-pazarlari-belvedere-sarayi-www.muratcangumus.com_.jpeg 800w, https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2016\/12\/viyana-noel-pazarlari-belvedere-sarayi-www.muratcangumus.com_-768x512.jpeg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/a><p id=\"caption-attachment-5106\" class=\"wp-caption-text\">Yukar\u0131 Belvedere Saray\u0131 g\u00fcney cephesi \u00f6n\u00fcne kurulan Noel pazar\u0131. Foto\u011fraf: \u00a9 Muratcan G\u00fcm\u00fc\u015f, Aral\u0131k 2017.<\/p><\/div>\n<p>Belvedere Saray\u0131 etkinlikler sayfas\u0131na a\u015fa\u011f\u0131daki ba\u011flant\u0131dan ula\u015fabilirsiniz:<\/p>\n<p>https:\/\/www.belvedere.at\/programm<\/p>\n<p> <\/p>\n<h2 id=\"girisucretleri\">Belvedere\u00a0Saray\u0131\u00a0giri\u015f \u00fccretleri<\/h2>\n<p>Belvedere Saray\u0131’na gidebilmenin en g\u00fcncel giri\u015f \u00fccretlerine a\u015fa\u011f\u0131daki ba\u011flant\u0131dan\u00a0ula\u015fabilirsiniz:<\/p>\n<p>https:\/\/www.belvedere.at\/en\/visit\/upper-belvedere<\/p>\n<p> <\/p>\n<h2 id=\"nasilgidilir\">Belvedere\u00a0Saray\u0131’na\u00a0nas\u0131l gidilir?<\/h2>\n<p>\u0130ster y\u00fcr\u00fcyerek, ister bisikletle, ister toplu ta\u015f\u0131mayla, isterseniz de \u00f6zel arac\u0131n\u0131zla; Belvedere Saray\u0131’na ula\u015f\u0131m hakk\u0131nda detayl\u0131 bilgilere\u00a0a\u015fa\u011f\u0131daki ba\u011flant\u0131dan\u00a0ula\u015fabilirsiniz:<\/p>\n<p>https:\/\/www.belvedere.at\/en\/tickets<\/p>\n<p> <\/p>\n<hr \/>\n<p><span style=\"color: #008000;\"><strong>Bu da ilginizi \u00e7ekebilir<\/strong><\/span><strong><br \/>\n<\/strong><a href=\"https:\/\/www.muratcangumus.com\/viyana-sehir-muzesi\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-4908 alignleft\" src=\"https:\/\/www.muratcangumus.com\/wp-content\/uploads\/2017\/11\/viyana-sehir-muzesi-sergi-geteilte-geschichte-2-www.muratcangumus.com-Muratcan-Gumus-800x533.jpg\" sizes=\"(max-width: 100px) 100vw, 100px\" srcset=\"\/\/www.muratcangumus.com\/wp-content\/uploads\/2017\/11\/viyana-sehir-muzesi-sergi-geteilte-geschichte-2-www.muratcangumus.com-Muratcan-Gumus.jpg 800w, \/\/www.muratcangumus.com\/wp-content\/uploads\/2017\/11\/viyana-sehir-muzesi-sergi-geteilte-geschichte-2-www.muratcangumus.com-Muratcan-Gumus-768x512.jpg 768w\" width=\"100\" height=\"67\" \/><\/a>T\u00fcrklerin Avusturya’ya\u00a0g\u00f6\u00e7 tarihine \u0131\u015f\u0131k tutan sergi burada:<\/p>\n<p><strong>\u201e<span style=\"text-decoration: underline;\"><span style=\"color: #0000ff;\"><a style=\"color: #0000ff; text-decoration: underline;\" href=\"https:\/\/www.muratcangumus.com\/viyana-sehir-muzesi\" target=\"_blank\" rel=\"noopener\">Viyana \u015eehir M\u00fczesi<\/a><\/span><\/span>\u201c<\/strong><\/p>\n<hr \/>\n<p> <\/p>\n<h1 id=\"Kaynakca\">Kaynak\u00e7a<\/h1>\n<p>[1] A- Husslein-Arco. \u201eBelvedere | Galerie F\u00fchrer\u201c. Verlag des Belvedere, Wien 2008.<\/p>\n<p>[2] G. Lukacs. \u201eWien Gehemnisse einer Stadt – R\u00e4tselhafte Zeichen | Verschl\u00fcsselte Botschaften\u201c. Pichler Verlag, Wien 2016.<\/p>\n<p>[3] Belvedere Saray\u0131 resmi web sitesi. \u201eGeschichte Belvedere\u201c. URL:\u00a0<a href=\"https:\/\/www.belvedere.at\/das-museum\/geschichte-belvedere\">https:\/\/www.belvedere.at\/das-museum\/geschichte-belvedere<\/a>.\u00a0Eri\u015fim tarihi: 20.06.20.<\/p>\n<p>[4] \u201eMarie Antoinette: Kindheit im Schatten der Politik\u201c. URL:\u00a0https:\/\/www.habsburger.net\/de\/kapitel\/marie-antoinette-kindheit-im-schatten-der-politik.\u00a0Eri\u015fim tarihi: 26.06.20.<\/p>\n<p>[5] Belvedere Saray\u0131 resmi web sitesi:\u00a0\u201eArchitektur Oberes Belvedere\u201c. URL:\u00a0https:\/\/www.belvedere.at\/das-museum\/architektur-oberes-belvedere.\u00a0Eri\u015fim tarihi: 22.07.20.<\/p>\n<p>[6] Y. Saydam. \u201eBat\u0131 resim sanat\u0131nda Sfenks betimi\u201c. URL: http:\/\/nek.istanbul.edu.tr:4444\/ekos\/TEZ\/ET001230.pdf.\u00a0Eri\u015fim tarihi: 02.09.20.<\/p>\n<p>[7] \u201eBelvederegarten – Generalsanierung der Brunnenanlagen\u201c. URL:\u00a0https:\/\/www.burghauptmannschaft.at\/uploads\/690.013-belvedere-generalsanierung_der_brunnenanlagen.pdf.\u00a0Eri\u015fim tarihi: 25.07.20.<\/p>\n<p>[8] N. E. Ko\u00e7. \u201eYeralt\u0131 Tanr\u0131lar\u0131\u201c. URL:\u00a0https:\/\/dergipark.org.tr\/en\/download\/article-file\/319359.\u00a0Eri\u015fim tarihi: 25.07.20.<\/p>\n<p>[9] Belvedere Saray\u0131 resmi web sitesi. \u201eDie drei Gorgonen (Medusa, Stheno, Euryale)\u201c. URL:\u00a0https:\/\/sammlung.belvedere.at\/objects\/39663\/die-drei-gorgonen-medusa-stheno-und-euryale.\u00a0Eri\u015fim tarihi: 27.07.20.<\/p>\n<p>[10] Belvedere Saray\u0131 resmi web sitesi. \u201eDas Belvedere Presseunterlagen\u201c. URL:\u00a0https:\/\/www.belvedere.at\/sites\/default\/files\/media-directories\/Belvedere_PM_LANG_de_0.pdf.\u00a0Eri\u015fim tarihi: 29.07.20.<\/p>\n<p>[11] \u0130slam Ansiklopedisi. \u201eTesl\u00ees\u201c. URL:\u00a0https:\/\/islamansiklopedisi.org.tr\/teslis.\u00a0Eri\u015fim tarihi: 29.07.20.<\/p>\n<p>[12] \u0130slam Ansiklopedisi. \u201eZenta\u201c. URL:\u00a0https:\/\/islamansiklopedisi.org.tr\/zenta.\u00a0Eri\u015fim tarihi: 01.08.20.<\/p>\n<p>[14] C. Y\u0131ld\u0131r\u0131m. \u201eSanat tarihi – I\u201c. URL:\u00a0https:\/\/books.google.at\/books?id=reZ_DwAAQBAJ&pg=PA108&lpg=PA108&dq=ah%C5%9Fap+pano+%C3%BCzerine+yap%C4%B1lan+dini+resimler&source=bl&ots=FScnxlwXlG&sig=ACfU3U2QDvHABbSFB1lq6s_6J_ytuP7grA&hl=de&sa=X&ved=2ahUKEwjs05j9zYzrAhVqw4sKHS8tCTMQ6AEwEnoECAoQAQ#v=onepage&q=ah%C5%9Fap%20pano%20%C3%BCzerine%20yap%C4%B1lan%20dini%20resimler&f=false.\u00a0Eri\u015fim tarihi: 09.08.20.<\/p>\n<p>[15]\u00a0Belvedere Saray\u0131 resmi web sitesi. \u201eFranx Xaver Messerschmidt\u201c.\u00a0Eri\u015fim tarihi: 15.08.20.\u00a0URL:\u00a0https:\/\/sammlung.belvedere.at\/highlights\/248974\/franz-xaver-messerschmidt\/objects<\/p>\n<p>[16] Donnerbrunnen. URL:\u00a0http:\/\/www.viennatouristguide.at\/Altstadt\/Brunnen\/donnerbrunnen.htm.\u00a0Eri\u015fim tarihi: 22.08.20.<\/p>\n<p>[17] Belvedere Saray\u0131 resmi web sitesi:\u00a0\u201eArchitektur Unteres Belvedere\u201c.\u00a0Eri\u015fim tarihi: 22.08.20.\u00a0URL:\u00a0https:\/\/www.belvedere.at\/das-museum\/architektur-unteres-belvedere.<\/p>\n<p>[18] Conpendium Heroicum. \u201eKunstheld\u201c. URL:\u00a0https:\/\/www.compendium-heroicum.de\/lemma\/kunstheld\/.\u00a0Eri\u015fim tarihi: 22.08.20.<\/p>\n<p>[19] Wien Geschichte Wiki: \u201eAtlas\u201c. URL:\u00a0https:\/\/www.geschichtewiki.wien.gv.at\/Atlas.\u00a0Eri\u015fim tarihi: 24.08.20.\u00a0<\/p>\n<p>[20] Wien Geschichte Wiki: \u201eKoren\u201c. URL:\u00a0https:\/\/www.geschichtewiki.wien.gv.at\/Koren.\u00a0Eri\u015fim tarihi: 24.08.20.\u00a0<\/p>\n<p>[21] Wikipedia. \u201eSchloss Belvedere\u201c. URL:\u00a0<a href=\"https:\/\/de.wikipedia.org\/wiki\/Schloss_Belvedere\">https:\/\/de.wikipedia.org\/wiki\/Schloss_Belvedere<\/a>.\u00a0Eri\u015fim tarihi: 30.08.20.<\/p>\n<p>[22] S. Hodge. \u201eGer\u00e7ekten bilmeniz gereken 50 sanat fikri\u201c. 9. Bask\u0131. \u0130stanbul:\u00a0Bkz Yay\u0131nc\u0131l\u0131k Ticaret ve Sanayi Ltd. \u015eti, 2020.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Belvedere\u00a0Saray\u0131\u00a0(Almanca:\u00a0Schloss Belvedere), Avusturya‘n\u0131n ba\u015fkenti Viyana‘da bulunan ve tarihimize dokunmas\u0131 nedeniyle\u00a0Viyana Gezilecek Yerler listemizin a\u011f\u0131r toplar\u0131ndan biri olan bir sarayd\u0131r.\u00a0Belvedere Saray\u0131 tarihi, Belvedere Saray\u0131 b\u00f6l\u00fcmleri (mimari elemanlar\u0131), Belveder Saray\u0131 i\u00e7 g\u00f6r\u00fcn\u00fcm\u00fc (foto\u011fraflar\u0131),\u00a0Belvedere Saray\u0131 sanat koleksiyonlar\u0131 b\u00fcnyesindeki eserlerin g\u00fcc\u00fcn\u00fc ald\u0131\u011f\u0131 tanr\u0131 ve\u00a0Yunan mitolojisi taslaklar\u0131, Avusturya’n\u0131n ba\u011f\u0131ms\u0131z bir devlet olma yolunda Belvedere Saray\u0131‘na bi\u00e7ilen rol \u00fczerine bilgilerin yan\u0131 s\u0131ra,\u00a0Belvedere Saray\u0131 yakla\u015fan etkinlikler,\u00a0Belvedere Saray\u0131 giri\u015f \u00fccretleri ve Belvedere Saray\u0131’na nas\u0131l gidilir tarz\u0131ndan pratik bilgileri\u00a0de bu yaz\u0131da bulabilirsiniz. Belvedere Saray\u0131, Habsburglar\u00a0ad\u0131na sava\u015f meydanlar\u0131nda T\u00fcrklere kar\u015f\u0131 kazand\u0131\u011f\u0131 zaferler nedeniyle b\u00fcy\u00fck bir \u00fcne kavu\u015fan ve bu ba\u015far\u0131lar\u0131n\u0131n sonucunda bir Avusturyal\u0131 olmad\u0131\u011f\u0131 halde Avusturya tarihinde kendine\u00a0\u00f6nemli bir yer <\/p>\n","protected":false},"author":1,"featured_media":9081,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[1037],"tags":[1051,1039,283,1053],"yst_prominent_words":[],"_links":{"self":[{"href":"https:\/\/www.muratcangumus.com\/wp-json\/wp\/v2\/posts\/4195"}],"collection":[{"href":"https:\/\/www.muratcangumus.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.muratcangumus.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.muratcangumus.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.muratcangumus.com\/wp-json\/wp\/v2\/comments?post=4195"}],"version-history":[{"count":0,"href":"https:\/\/www.muratcangumus.com\/wp-json\/wp\/v2\/posts\/4195\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.muratcangumus.com\/wp-json\/wp\/v2\/media\/9081"}],"wp:attachment":[{"href":"https:\/\/www.muratcangumus.com\/wp-json\/wp\/v2\/media?parent=4195"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.muratcangumus.com\/wp-json\/wp\/v2\/categories?post=4195"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.muratcangumus.com\/wp-json\/wp\/v2\/tags?post=4195"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/www.muratcangumus.com\/wp-json\/wp\/v2\/yst_prominent_words?post=4195"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}}